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Minona oder Die Angelsachsen.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

196 pages, Hardcover

Published August 8, 2018

About the author

Heinrich Wilhelm von Gerstenberg was a German poet and critic.

Gerstenberg was born in Tondern, Schleswig. After attending school in Husum and at the Christianeum Hamburg, and studying law at the University of Jena, he entered the Danish military service and took part in the Russian campaign of 1762. He spent the next twelve years in Copenhagen, where he was intimate with Friedrich Gottlieb Klopstock. From 1775 to 1783 he represented Denmark's interests as Danish Resident at Lübeck, and in 1786 received a judicial appointment at Altona, where he died in November 1823.

In the course of his long life Gerstenberg passed through many phases of his nation's literature. He began as an imitator of the Anacreontic school (Tändeleyen, 1759); then wrote, in imitation of Gleim, Kriegslieder eines dänischen Grenadiers (1762); with his Gedicht eines Skalden (1766) he joined the group of bards led by Klopstock. He translated Beaumont and Fletcher's Maid's Tragedy (1767), and helped to usher in the Sturm und Drang period with a gruesome but powerful tragedy, Ugolino (1768). But he did perhaps even better service to the new literary movement with his Briefe über Merkwürdigkeiten der Litteratur (1766-1770), in which the critical principles of the Sturm und Drang, and especially its enthusiasm for Shakespeare, were first definitely formulated. In later life Gerstenberg lost touch with literature, and occupied himself mainly with Kant's philosophy.

His Vermischte Schriften appeared in 3 vols. (1815). The Briefe über Merkwürdigkeiten der Litteratur were republished with an introduction by Alexander von Weilen (1888).

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