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Reel Asian: Asian Canada on Screen

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Founded in 1997 by producer Anita Lee and journalist Andrew Sun, the Toronto Reel Asian International Film Festival is a unique showcase of contemporary Asian cinema and work from the Asian diaspora. The festival fosters the exchange of cultural and artistic ideals between East and West, provides a public forum for homegrown Asian media artists and their work and fuels the growing appreciation for Asian cinema in Canada.
In Reel Asian: Asian Canada on Screen, contributors, many of them filmmakers, examine East and Southeast Asian Canadian contributions to independent film and video. From artist-run centres, theories of hyphenation, distribution networks and gay and lesbian cinema to F-words, new media technologies and sweet n' sour controversies, Reel Asian: Asian Canada on Screen presents a multi-faceted picture of independent Asian film in Canada. The collection highlights the screen as a site for the reflection, projection and reimagination of identities and communities. Includes: David Eng, Ann Marie Fleming, Richard Fung, Monika Kin Gagnon, Colin Geddes, Kwoi Gin, Mike Hoolboom, Alice Ming Wai Jim, Cheuk Kwan, Julia Kwan, Anita Lee, Helen Lee, Karin Lee, Keith Lock, Pamila Matharu, Christine Miguel, Tan Hoang Nguyen, Midi Onodera, Mieko Ouchi, Alice Shih, Mina Shum, Mary Stephen, Ho Tam, Loretta Todd, Khanhthuan Tran, Phil Tsui, Paul Wong, Su-Anne Yeo, Iris Yudai and Wayne Yung.

300 pages, Paperback

First published October 14, 2004

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Elaine Chang

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Displaying 1 - 2 of 2 reviews
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Author 7 books147 followers
February 26, 2016
This amazing book gave me an overview of Asian Canadian film. It was a great anthology and very informative. I learned about a lot of films that I had never heard about before.

Really great that this book exists.
165 reviews6 followers
June 18, 2014
Interesting work that illuminates a spectrum of issues related towards the idea of Asian/Canadian (Asian Canadian), as opposed to the significant other "Asian-Canadian". It doesn't quite give an introduction to Asian Canadian cinema, which was what I was hoping for, but that doesn't seem to be its goal; rather, it aims to create awareness of that developing culture independent of one's cultural origins, yet indebted towards their traditions.
Displaying 1 - 2 of 2 reviews