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The Books of Conjury #1-3
The Books of Conjury: The Complete Trilogy
Flintlock magic, demons, sorcery… Meet Miss Finch.
For the first time, all three novels in the breathtaking fantasy trilogy The Books of Conjury are together in one eBook bundle. Follow along as Kate Finch is plunged into a harrowing race to unlock the secrets of the dead in a meticulously rendered, sorcery-riddled 18th Century Boston.
The bundle collects the entire trilogy in one
THE MAGIC OF UNKINDNESS
THE GRAVE RAVEN
THE HALLS OF MIDNIGHT
If you love vivid characters with emotional depths, engaging and detailed depictions of magic, and a gripping plot that weaves together flintlock magic, political intrigues, and the terrifying presence of the infernal, you’ll love Kevan Dale’s spectacular trilogy.
Magic, witchcraft, and sorcery compete in the brooding Massachusetts countryside of 1736—who will win?
For the first time, all three novels in the breathtaking fantasy trilogy The Books of Conjury are together in one eBook bundle. Follow along as Kate Finch is plunged into a harrowing race to unlock the secrets of the dead in a meticulously rendered, sorcery-riddled 18th Century Boston.
The bundle collects the entire trilogy in one
THE MAGIC OF UNKINDNESS
THE GRAVE RAVEN
THE HALLS OF MIDNIGHT
If you love vivid characters with emotional depths, engaging and detailed depictions of magic, and a gripping plot that weaves together flintlock magic, political intrigues, and the terrifying presence of the infernal, you’ll love Kevan Dale’s spectacular trilogy.
Magic, witchcraft, and sorcery compete in the brooding Massachusetts countryside of 1736—who will win?
1045 pages, ebook
Published December 15, 2018
114 people are currently reading
77 people want to read
About the author
Kevan Dale
14 books35 followersKevan Dale grew up in a Massachusetts home full of books, next to a winding patch of woods full of stories (in his already vivid imagination). Books and stories eventually pointed him to a degree in English. That degree in English inspired him to pursue a career as a professional guitar maker (long story.) A decade of luthiery led to a second career, this time in video games (another long story) where he remains. It all made sense at the time, honestly.
Throughout all, books and stories. History, fantasy, horror. All of them tug at his imagination, and he happily follows.
Kevan is once again in Massachusetts, glad to live in his own home full of books, next to a winding patch of woods full of stories.
Join Kevan's private newsletter: www.kevandale.com
Throughout all, books and stories. History, fantasy, horror. All of them tug at his imagination, and he happily follows.
Kevan is once again in Massachusetts, glad to live in his own home full of books, next to a winding patch of woods full of stories.
Join Kevan's private newsletter: www.kevandale.com
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Displaying 1 of 1 review
September 29, 2019
At a high level, this generally worked for me as a story, with exceptions that I'll talk about below. At the level of detailed execution, though, it has a lot of room for improvement, hence my three-star rating.
It also contained a lot more mayhem and death of innocents than I usually prefer, though it wasn't like I didn't know that going in.
I picked it up (on a BookBub promotion) in part because a couple of the Amazon reviewers specifically described it as "well edited". I'm afraid they were mistaken. Most (though not all) of the commas and apostrophes are in the right places, true, which puts it ahead of a lot of books, but it's rife with hyphens where no hyphen should be, words missed out of sentences, sentences mangled in revision, verbs not agreeing with their subjects, fumbled idioms, vocabulary errors (like confusions between straight and strait, taught and taut, loathe and loath, wretch and retch, belied and betrayed, synched and cinched, troupe and troop, gate and gait, internment and interment), and a long parade of dangling modifiers. I marked 220 issues (including some that weren't copy editing issues, which I'll discuss below), and I didn't mark every instance of some of them. Even considering that this is three books in one, that's still on the high end for books I review, which is why I've put it on my "seriously needs editing" shelf.
Apart from the copy editing, there were issues with anachronisms, continuity, and things I just didn't believe. There's a suspicious number of large windows for the glass technology of 1736-37, which is when the book is set; there's also a very minor female character called Aubrey, which was a name not used for girls until the 1970s (or for boys in the 18th century, for that matter), and a mention of adrenaline (discovered in the 1890s).
Other problems of background include a mention of a group of lords, "one a member of Parliament, no less". All British lords, properly so called, are members of the House of Lords, and none can be members of the House of Commons, so this is nonsense.
Early on, a woman supposedly freshly arrived from England appears to recognise hemlock trees, which are North American natives. This same woman (the viewpoint character and protagonist) has nothing remotely English about her; both she and her master, also supposedly from London, use the very American phrasing "off of" repeatedly, for example. I was never convinced of her Englishness in any way (and it would have worked just as well for the story if she'd arrived from some other American colony).
There are a few minor continuity problems, but the big one is that two characters set off on a dangerous journey to get a particular magical substance that is locked up in a specific place. However, by the time their journey ends, their purpose in making the journey has changed to enacting the magical ritual for which the substance is needed, and (without having visited the place one of them specifically said it was in) they appear to have had the substance with them all along.
That same journey also gave me some of the biggest examples of things I just didn't believe: a large man in his early 80s able to make it through a gruelling physical trial, and a woman in her late teens able to haul him around physically, including onto a horse. Given that there's magic, and it can do a very wide range of convenient things, they could have used spells to give themselves more strength and endurance (at the risk of injury or exhaustion later on), but they didn't.
There's also the idea that, along with everything else she was studying, plus all the work she did, Kate managed to learn German, a notoriously difficult language, well enough to read a random passage, in less than a year (along with, presumably, a number of other languages; the spells are mostly in languages other than English, and are quoted in full a bit more often than necessary). And, among all the death, that certain characters made their way through a highly dangerous area and didn't die. (A few of them had magical protection, but the soldiers and others with them didn't.)
And, of course, there's the staggering coincidence at the beginning, when someone who should have died somehow doesn't, and ends up meeting exactly the person who can help her, and who she can help, because without this meeting there is no story. It's a bit too obvious a hand of fate/God/the author.
I also didn't completely believe that Kate hid so much from her beloved master, or that she wouldn't prioritise repairing the witch wells above everything once she worked out what they were doing.
So, numerous issues. The heart of the story is sound, though, and what kept me reading through the many glitches was the protagonist, Kate: a determined, highly capable, brave, persevering young woman, though not without her faults. With better editing; more attention to detail, time period, and continuity; and a bit of reworking of the less believable parts, this could be a strong four stars.
It also contained a lot more mayhem and death of innocents than I usually prefer, though it wasn't like I didn't know that going in.
I picked it up (on a BookBub promotion) in part because a couple of the Amazon reviewers specifically described it as "well edited". I'm afraid they were mistaken. Most (though not all) of the commas and apostrophes are in the right places, true, which puts it ahead of a lot of books, but it's rife with hyphens where no hyphen should be, words missed out of sentences, sentences mangled in revision, verbs not agreeing with their subjects, fumbled idioms, vocabulary errors (like confusions between straight and strait, taught and taut, loathe and loath, wretch and retch, belied and betrayed, synched and cinched, troupe and troop, gate and gait, internment and interment), and a long parade of dangling modifiers. I marked 220 issues (including some that weren't copy editing issues, which I'll discuss below), and I didn't mark every instance of some of them. Even considering that this is three books in one, that's still on the high end for books I review, which is why I've put it on my "seriously needs editing" shelf.
Apart from the copy editing, there were issues with anachronisms, continuity, and things I just didn't believe. There's a suspicious number of large windows for the glass technology of 1736-37, which is when the book is set; there's also a very minor female character called Aubrey, which was a name not used for girls until the 1970s (or for boys in the 18th century, for that matter), and a mention of adrenaline (discovered in the 1890s).
Other problems of background include a mention of a group of lords, "one a member of Parliament, no less". All British lords, properly so called, are members of the House of Lords, and none can be members of the House of Commons, so this is nonsense.
Early on, a woman supposedly freshly arrived from England appears to recognise hemlock trees, which are North American natives. This same woman (the viewpoint character and protagonist) has nothing remotely English about her; both she and her master, also supposedly from London, use the very American phrasing "off of" repeatedly, for example. I was never convinced of her Englishness in any way (and it would have worked just as well for the story if she'd arrived from some other American colony).
There are a few minor continuity problems, but the big one is that two characters set off on a dangerous journey to get a particular magical substance that is locked up in a specific place. However, by the time their journey ends, their purpose in making the journey has changed to enacting the magical ritual for which the substance is needed, and (without having visited the place one of them specifically said it was in) they appear to have had the substance with them all along.
That same journey also gave me some of the biggest examples of things I just didn't believe: a large man in his early 80s able to make it through a gruelling physical trial, and a woman in her late teens able to haul him around physically, including onto a horse. Given that there's magic, and it can do a very wide range of convenient things, they could have used spells to give themselves more strength and endurance (at the risk of injury or exhaustion later on), but they didn't.
There's also the idea that, along with everything else she was studying, plus all the work she did, Kate managed to learn German, a notoriously difficult language, well enough to read a random passage, in less than a year (along with, presumably, a number of other languages; the spells are mostly in languages other than English, and are quoted in full a bit more often than necessary). And, among all the death, that certain characters made their way through a highly dangerous area and didn't die. (A few of them had magical protection, but the soldiers and others with them didn't.)
And, of course, there's the staggering coincidence at the beginning, when someone who should have died somehow doesn't, and ends up meeting exactly the person who can help her, and who she can help, because without this meeting there is no story. It's a bit too obvious a hand of fate/God/the author.
I also didn't completely believe that Kate hid so much from her beloved master, or that she wouldn't prioritise repairing the witch wells above everything once she worked out what they were doing.
So, numerous issues. The heart of the story is sound, though, and what kept me reading through the many glitches was the protagonist, Kate: a determined, highly capable, brave, persevering young woman, though not without her faults. With better editing; more attention to detail, time period, and continuity; and a bit of reworking of the less believable parts, this could be a strong four stars.
Displaying 1 of 1 review