Helen Levitt (1913 – 2009) numbers among the foremost exponents of street photography. As a passionate observer and chronicler of everyday street life in New York, she spent decades documenting residents of the city’s poorer neighbourhoods such as Lower East Side and Harlem. Levitt’s oeuvre stands out for her sense of dynamics and surrealistic sense of humour, and her employment of color photography was Levitt numbers among those photographers who pioneered and established color as a means of artistic expression. The book accompanying the retrospective of the Albertina Museum features around 130 of her iconic works. These range from her early, surrealism-influenced photographs of chalk drawings to her 1941 photos from Mexico and the clandestinely shot portraits of New York subway passengers that Walker Evans encouraged her to do in 1938. Many of these photos come from Helen Levitt’s personal estate, and this exhibition represents their first-ever public showing.
He was born at Kinnaird, Perthshire and brought up by his grandfather from the age of three after his parents and younger brother emigrated to the United States. Illiterate until 13, he showed no early signs of linguistic ability, but despite this late start, at age 17 he was appointed schoolmaster of the village of Stralock.
Shortly after this he attended Kirkmichael school followed by Perth Grammar School and the University of St. Andrews, gaining a master's degree from the latter.
In 1823 he took a post at Calcutta Academy, but because of poor health he was forced to return to Europe in 1826. In 1837 he became Professor of Oriental Languages at King's College London and stayed at this post until his retirement in 1861. During his time at King's College London he also worked at the British Museum, cataloguing the collection of Persian manuscripts.
During his life he wrote a number of books, and it is for these which he is most remembered. He had a hand in translating or editing a number of books in Urdu, Persian and Arabic, including a translation of Mir Amman's Urdu Bagh o Bahar, or Tales of the Four Darweshes, (which is itself a translation from the Persian of Amir Khusro), and of the Persian Adventures of Hatim Tai.