Der Capitän Fracasse, Vol. 2

by Théophile Gautier

This book delves into the intriguing tale of a traveling theater troupe in 18th century France. The troupe encounters a series of eccentric characters, including a melancholy nobleman with a knack for self-destruction, a cunning gambler with a knack for deceit, and a mysterious countess whose true intentions remain a tantalizing enigma. The story explores the nature of love, loss, and ambition as the troupe navigates treacherous terrain, both physical and emotional. The author masterfully captures the essence of 18th century French society, intertwining historical authenticity with a dash of the fantastic. This book offers a unique and immersive journey through the vibrant world of the theater, while also providing a poignant reflection on the human condition.

190 pages, Paperback

First published January 1, 1863

About the author

Pierre Jules Théophile Gautier was a French poet, dramatist, novelist, journalist, and literary critic. In the 1830 Revolution, he chose to stay with friends in the Doyenné district of Paris, living a rather pleasant bohemian life. He began writing poetry as early as 1826 but the majority of his life was spent as a contributor to various journals, mainly for La Presse, which also gave him the opportunity for foreign travel and meeting many influential contacts in high society and in the world of the arts, which inspired many of his writings including Voyage en Espagne (1843), Trésors d'Art de la Russie (1858), and Voyage en Russie (1867). He was a celebrated abandonnée of the Romantic Ballet, writing several scenarios, the most famous of which is Giselle. His prestige was confirmed by his role as director of Revue de Paris from 1851-1856. During this time, he became a journalist for Le Moniteur universel, then the editorship of influential review L'Artiste in 1856. His works include: Albertus (1830), La Comédie de la Mort (1838), Une Larme du Diable (1839), Constantinople (1853) and L'Art Moderne (1856)