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The Juggler of Notre Dame and the Medievalizing of Modernity. Volume 5: Tumbling into the Twentieth Century
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This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life.
Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this volume Jan Ziolkowski follows the juggler of Notre Dame as he cavorts through new media, including radio, television, and film, becoming closely associated with Christmas and embedded in children’s literature.
Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life.
Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this volume Jan Ziolkowski follows the juggler of Notre Dame as he cavorts through new media, including radio, television, and film, becoming closely associated with Christmas and embedded in children’s literature.
Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
408 pages, ebook
Published October 29, 2018
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About the author
Jan M. Ziolkowski
43 books2 followersJan Ziolkowski occupies the Arthur Kingsley Porter Professorship of Medieval Latin at Harvard University. From 2007 to 2020 he served as Director of the Dumbarton Oaks Research Library and Collection. His scholarship has focused on the literature, especially in Latin, of the Middle Ages.
In the United States, he was elected a Member of the Medieval Academy of America in 2008, the American Academy of Arts and Sciences in 2010, and the American Philosophical Society in 2017. Abroad, he was appointed a corresponding member of the Austrian Academy of Sciences in 2006 and of the Academia Europaea in 2015. In 2015 he was awarded an Austrian Decoration for Science and Art, the Austrian Cross of Honor for Science and Art, First Class.
He held a National Endowment for the Humanities Summer Stipend in 1983, an American Council for Learned Societies Fellowship in 1986, and a John Simon Guggenheim Fellowship in 1987–1988. In 2005-2006 he was a fellow-in-residence at the Netherlands Institute for Advanced Study. Since becoming U.S. representative to the International Medieval Latin Committee in 1988, he has served as vice president from 1993 to 1999 and as president from 2000.
In the United States, he was elected a Member of the Medieval Academy of America in 2008, the American Academy of Arts and Sciences in 2010, and the American Philosophical Society in 2017. Abroad, he was appointed a corresponding member of the Austrian Academy of Sciences in 2006 and of the Academia Europaea in 2015. In 2015 he was awarded an Austrian Decoration for Science and Art, the Austrian Cross of Honor for Science and Art, First Class.
He held a National Endowment for the Humanities Summer Stipend in 1983, an American Council for Learned Societies Fellowship in 1986, and a John Simon Guggenheim Fellowship in 1987–1988. In 2005-2006 he was a fellow-in-residence at the Netherlands Institute for Advanced Study. Since becoming U.S. representative to the International Medieval Latin Committee in 1988, he has served as vice president from 1993 to 1999 and as president from 2000.
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October 29, 2018From the publisher:
A lifetime’s knowledge has been poured into these pages with passion and dedication, and the reader feels, and shares, the author’s enthusiasm along the Juggler’s journey from the Middle Ages to the present. From medieval French manuscripts we follow the tale through early modern religious literature, post-Romantic editorial endeavours, anthologies of national literature and children’s fiction, to modern adaptations in ballet, opera, and the visual arts. Such wide-ranging enterprise is matched by a fluent, witty narrative which succeeds in making complex terminology and concepts accessible to non-specialist readers. As such, the work is a major achievement.
—Prof. Barbara Ravelhofer, Durham University
Funny, erudite, compelling, The Juggler of Notre Dame stretches every boundary of what an academic book is. It has given me—and will give all its readers—further permission to extend the definition of the scholarly book. Imaginative, well-researched, genre-bending, this book makes multiple contributions to the fields of medieval history, philology, art history, performance studies, reception theory, and medievalism.
—Prof. Kathryn Rudy, University of St Andrews
A lifetime’s knowledge has been poured into these pages with passion and dedication, and the reader feels, and shares, the author’s enthusiasm along the Juggler’s journey from the Middle Ages to the present. From medieval French manuscripts we follow the tale through early modern religious literature, post-Romantic editorial endeavours, anthologies of national literature and children’s fiction, to modern adaptations in ballet, opera, and the visual arts. Such wide-ranging enterprise is matched by a fluent, witty narrative which succeeds in making complex terminology and concepts accessible to non-specialist readers. As such, the work is a major achievement.
—Prof. Barbara Ravelhofer, Durham University
Funny, erudite, compelling, The Juggler of Notre Dame stretches every boundary of what an academic book is. It has given me—and will give all its readers—further permission to extend the definition of the scholarly book. Imaginative, well-researched, genre-bending, this book makes multiple contributions to the fields of medieval history, philology, art history, performance studies, reception theory, and medievalism.
—Prof. Kathryn Rudy, University of St Andrews
Displaying 1 of 1 review