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圆月弯刀
女性為什麼要移動？移動跟女性之間有什麼關係？女性透過移動想追尋什麼、又想擺脫什麼？亞洲新娘透過移動，改變自己的生命，她們逐夢，藉由社會參與、讀書、工作、認同，邁向主體性的建構。
从高一开始模特儿生涯，被大S誉为真正“美容大王”的吴佩慈，首度与读者分享她的成长心情，并第一次公开她旅日多年所累积的丰富美容经验！从护肤、护发、手足美甲，到瘦身紧实、丰胸按摩、美白保养、气血食补等等，从内在到外在，所有女孩最关心的美丽话题，都在这本书里！
这是一本关于美丽的书，我的护肤心得、化妆诀窍，我的经历刻画成的美容人生都将在这本书中与大家分享，也许我不是专家也不是权威人士。但每一个细节都是最真实最自然最完整的我美，是生来就存在的目标，是永远都不会停止的追求，让我们一起美到宇宙的尽头吧！
全書分四大章1.幸福的進行曲(和家人溫馨特別的故事) 2.幸福的生活地圖(家居生活的品味、情趣和收藏) 3.幸福的雜貨地圖(國外特別的雜貨品牌/店家介紹) 4.幸福的美味地圖（好吃大爆料）
不論晴天下雨，攤開它，就是一本會有幸福感的生活地圖！
我愛橫條衫、我愛喝紅茶、我愛DIY、我愛花……
我愛繁華的世界啊！
總在品味幸福生活的米力
花花世界裡的誘惑每天都會從網路、郵筒裡的DM、廣告裡的動人O.S.，不斷地催眠。於是，開始相信買下一個印有方格條紋的包包，氣質會變的很英國風；買下可以瘦身沐浴乳，對減去身上的肥肉會很有幫助；擦上像豬油嘴巴的唇蜜，開始認為自己性感迷人；午夜去書店買雜誌，也覺得自己是文藝女青年。最要命的是，迷上設計師的產品，拿起衣服來在身上比一比，都覺得那設計師似乎是天下最了解自己的人……
我是個適合生活在城...
(展开全部)
……当一束亮银色灯光投射在黑衣的她的身上，她所扮演的燕子翩翩舞起时，当场我落泪如雨，我的左冲右撞的灵魂终于凿开了决口，那只燕子从此栖进我心深处……在我眼中她简直是个传奇……一个脾气暴烈如同魔王的舞蹈教授，一个被排拒在舞台之外的天才舞者，一个总是在逃亡中的彷徨女子，交会在悲欢莫名的孤寂城市，互相曝露了深深的缺憾，又在泪光中见到了另一个用了解和希望照亮的世界，他们的心里都有一双翅膀，有时比肩，有时单飞，但飞行从没停歇，只为了追寻自尊与美……
二００一年夏天，作者Peggy獲得一份到法國電信公司巴黎研發中心實習的機會。這段時間，她隨身攜帶海明威的《流動的饗宴》，讀了許多次，直到將近離開巴黎，才突然領悟到它其實也如一本深度旅遊書。Peggy照著海明威年輕時代的足跡探索巴黎，從這種角度而言，這本《絲慕巴黎》裡或多或少也摻雜了海明威對她的影響。
「也許離開巴黎之後，我就能描寫巴黎了。」海明威在《流動的饗宴》一書中這麼寫道。「我一直深深喜歡著巴黎，而且我一直知道，總有一天，我會為這個城市，寫一本書，」Peggy則這麼認為。在離開巴黎後，她根據自己在巴黎時的日記及攝影，用文字和影像呈現她的心靈的磁場－－巴黎。
她在書中記錄巴黎生活點滴、活生生生活的感覺，不同於一般遊客的浮光掠影：
「黑白，是描繪巴黎最適合的顏色。」
「一種我無論如何也沒有辦法在之後走過其他城市找到的味道……」
「巴黎的精彩生活很快地...
(展开全部)
《白玉老虎》（后传《白玉雕龙》）作于1976年，是古龙后期的一个很有意义的创作，是他试图力挽狂澜却终于又重蹈覆辙的作品，但即使从没有完成的部分来看，并无愧于经典二字。《白玉老虎》这次失败对古龙的打击非常大，这样一部开篇经典的作品终于无法完成，对任何作家都是一次巨大的挫伤，随之他的后期粗糙作品就开始陆续的出现了。
原來，書房可以這樣玩！
王文華‧曲家瑞‧李明道‧阮慶岳‧黃建和‧陶晶瑩‧曾偉人‧溫慶珠
詹仁雄‧鄭在東‧蔡明亮‧蔡依林‧蔡康永‧謝大立‧聶永真‧蘇誠修
──16位創意名家大展身手，用力玩出心目中的理想書房
書房絕對不只是書桌書櫃和牆壁的排列組合。本書展示了台灣當代十六位創意名人天馬行空的書房遊戲，結合一個個木頭貨櫃的裝置藝術如實呈現，揮灑出無疆界的繽紛想像與閱讀熱情。書房可以是廁所、是斷頭台、是青果市場、是偷窺針孔……而閱讀的對象更涵蓋古今書籍、大小玩具，甚至海底奇觀！走進每個盛裝夢想的貨櫃，便走進這些慧黠創意人心中最柔軟的私密角落，聆聽他們痛快暢言閱讀異想，將是一場如沐春風的心靈旅行。
當書房變成一種遊戲，閱讀自然就好玩了！
◎本書附贈16個遊戲書房展覽實景DVD，由策展人曲家瑞一一導覽解說，讓你親臨實境玩個過癮！
（摘自...
(展开全部)
江湖少年丁鹏漂流到“忘忧岛”，获岛主传授弯刀刀法，决定问鼎武林，但是他后来却发现弯刀乃魔教武功，自己竟是“魔教之子”，他该正邪相冲的煎熬，他该何去何从呢？
从高一开始模特儿生涯，被大S誉为真正“美容大王”的吴佩慈，首度与读者分享她的成长心情，并第一次公开她旅日多年所累积的丰富美容经验！从护肤、护发、手足美甲，到瘦身紧实、丰胸按摩、美白保养、气血食补等等，从内在到外在，所有女孩最关心的美丽话题，都在这本书里！
这是一本关于美丽的书，我的护肤心得、化妆诀窍，我的经历刻画成的美容人生都将在这本书中与大家分享，也许我不是专家也不是权威人士。但每一个细节都是最真实最自然最完整的我美，是生来就存在的目标，是永远都不会停止的追求，让我们一起美到宇宙的尽头吧！
全書分四大章1.幸福的進行曲(和家人溫馨特別的故事) 2.幸福的生活地圖(家居生活的品味、情趣和收藏) 3.幸福的雜貨地圖(國外特別的雜貨品牌/店家介紹) 4.幸福的美味地圖（好吃大爆料）
不論晴天下雨，攤開它，就是一本會有幸福感的生活地圖！
我愛橫條衫、我愛喝紅茶、我愛DIY、我愛花……
我愛繁華的世界啊！
總在品味幸福生活的米力
花花世界裡的誘惑每天都會從網路、郵筒裡的DM、廣告裡的動人O.S.，不斷地催眠。於是，開始相信買下一個印有方格條紋的包包，氣質會變的很英國風；買下可以瘦身沐浴乳，對減去身上的肥肉會很有幫助；擦上像豬油嘴巴的唇蜜，開始認為自己性感迷人；午夜去書店買雜誌，也覺得自己是文藝女青年。最要命的是，迷上設計師的產品，拿起衣服來在身上比一比，都覺得那設計師似乎是天下最了解自己的人……
我是個適合生活在城...
(展开全部)
……当一束亮银色灯光投射在黑衣的她的身上，她所扮演的燕子翩翩舞起时，当场我落泪如雨，我的左冲右撞的灵魂终于凿开了决口，那只燕子从此栖进我心深处……在我眼中她简直是个传奇……一个脾气暴烈如同魔王的舞蹈教授，一个被排拒在舞台之外的天才舞者，一个总是在逃亡中的彷徨女子，交会在悲欢莫名的孤寂城市，互相曝露了深深的缺憾，又在泪光中见到了另一个用了解和希望照亮的世界，他们的心里都有一双翅膀，有时比肩，有时单飞，但飞行从没停歇，只为了追寻自尊与美……
二００一年夏天，作者Peggy獲得一份到法國電信公司巴黎研發中心實習的機會。這段時間，她隨身攜帶海明威的《流動的饗宴》，讀了許多次，直到將近離開巴黎，才突然領悟到它其實也如一本深度旅遊書。Peggy照著海明威年輕時代的足跡探索巴黎，從這種角度而言，這本《絲慕巴黎》裡或多或少也摻雜了海明威對她的影響。
「也許離開巴黎之後，我就能描寫巴黎了。」海明威在《流動的饗宴》一書中這麼寫道。「我一直深深喜歡著巴黎，而且我一直知道，總有一天，我會為這個城市，寫一本書，」Peggy則這麼認為。在離開巴黎後，她根據自己在巴黎時的日記及攝影，用文字和影像呈現她的心靈的磁場－－巴黎。
她在書中記錄巴黎生活點滴、活生生生活的感覺，不同於一般遊客的浮光掠影：
「黑白，是描繪巴黎最適合的顏色。」
「一種我無論如何也沒有辦法在之後走過其他城市找到的味道……」
「巴黎的精彩生活很快地...
(展开全部)
《白玉老虎》（后传《白玉雕龙》）作于1976年，是古龙后期的一个很有意义的创作，是他试图力挽狂澜却终于又重蹈覆辙的作品，但即使从没有完成的部分来看，并无愧于经典二字。《白玉老虎》这次失败对古龙的打击非常大，这样一部开篇经典的作品终于无法完成，对任何作家都是一次巨大的挫伤，随之他的后期粗糙作品就开始陆续的出现了。
原來，書房可以這樣玩！
王文華‧曲家瑞‧李明道‧阮慶岳‧黃建和‧陶晶瑩‧曾偉人‧溫慶珠
詹仁雄‧鄭在東‧蔡明亮‧蔡依林‧蔡康永‧謝大立‧聶永真‧蘇誠修
──16位創意名家大展身手，用力玩出心目中的理想書房
書房絕對不只是書桌書櫃和牆壁的排列組合。本書展示了台灣當代十六位創意名人天馬行空的書房遊戲，結合一個個木頭貨櫃的裝置藝術如實呈現，揮灑出無疆界的繽紛想像與閱讀熱情。書房可以是廁所、是斷頭台、是青果市場、是偷窺針孔……而閱讀的對象更涵蓋古今書籍、大小玩具，甚至海底奇觀！走進每個盛裝夢想的貨櫃，便走進這些慧黠創意人心中最柔軟的私密角落，聆聽他們痛快暢言閱讀異想，將是一場如沐春風的心靈旅行。
當書房變成一種遊戲，閱讀自然就好玩了！
◎本書附贈16個遊戲書房展覽實景DVD，由策展人曲家瑞一一導覽解說，讓你親臨實境玩個過癮！
（摘自...
(展开全部)
江湖少年丁鹏漂流到“忘忧岛”，获岛主传授弯刀刀法，决定问鼎武林，但是他后来却发现弯刀乃魔教武功，自己竟是“魔教之子”，他该正邪相冲的煎熬，他该何去何从呢？
578 pages, Paperback
First published September 3, 2013
2 people want to read
About the author
Gu Long
512 books86 followersalso known as: 古龍
Xiong Yaohua (Chinese: 熊耀華) (7 June 1938 – 21 September 1985), better known by his pen name Gu Long, was a Chinese novelist, screenwriter, film producer and director. Xiong is best known for writing wuxia novels and serials, which include Juedai Shuangjiao, Xiaoli Feidao Series, Chu Liuxiang Series, Lu Xiaofeng Series and Xiao Shiyilang. Some of these works have been adapted into films and television series for numerous times. In the 1980s Xiong started his own film studio, Bao Sian, to focus on adaptations of his works. He graduated from Cheng Kung Senior High School in Taipei and from the Foreign Language Department of Tamkang University.
Xiong was born on 7 June 1938 in Hong Kong but his registered identity claimed that he was born in 1941. His ancestral home was in Nanchang, Jiangxi, China, and he lived in Hankou in his childhood. He moved to Taipei, Taiwan in 1952 with his parents, who divorced in 1956. With help from his friends and using the money he earned from part-time work to fund his education, Xiong graduated from the Foreign Language Department of Tamkang University. He found a job in the United States Army Advisory in Taipei later.
In 1960, Xiong published his first wuxia novel, Cangqiong Shenjian (蒼穹神劍), under the pen name "Gu Long". From 1960 to 1961, Xiong published eight novels but did not achieve the results he desired. He moved to Ruifang Town (瑞芳鎮) and lived there for three years, after which he changed his perspective and adopted a new writing style. Between 1967 and the late 1970s, Xiong rose to prominence in the genre of modern wuxia fiction for his works. As the sole representative of excellence in the wuxia genre from Taiwan for an entire decade, Xiong was named along with Jin Yong and Liang Yusheng as the "Three Legs of the Tripod of Wuxia".
While he was still in university, Xiong lived with a dance hostess, Zheng Yuexia (鄭月霞), and had a son, Zheng Xiaolong (鄭小龍), with her. However, later, he started a relationship with another dance hostess, Ye Xue (葉雪), who also bore him a son, Ye Yikuan (葉怡寬). Shortly after that, Xiong met a senior middle school graduate, Mei Baozhu (梅寶珠), who became his first legal spouse and bore him his third son, Xiong Zhengda (熊正達). Xiong's extramarital affairs with other women caused him to break up with Mei later.
In the later part of his life, Xiong suffered from depression and the quality of his works declined rapidly. He had to employ ghostwriters to co-write many of his later works because of his ailing health. He died on 21 September 1985 at the age of 48 due to illness wrought by alcoholism, namely cirrhosis and esophageal hemorrhage, at around 6pm. Xiong's friends brought him 48 bottles of XO at his funeral.
Xiong was said to be influenced not only by wuxia fiction, but also by the works of Ernest Hemingway, Jack London, John Steinbeck and Friedrich Nietzsche. His novels are usually made up of short sentences and paragraphs, and mostly dialogues between characters like a play script.
In contrast with Xiong, other writers such as Jin Yong and Liang Yusheng take an alternative route in writing wuxia fiction, incorporating Chinese history, culture and philosophical ideas in their works. Xiong initially intended to follow them but changed his decision after exposure to western works such as the James Bond series and The Godfather novels. The influence of these works, which relied on the idiosyncrasies of human life, razor-sharp wit, poetic philosophies, mysterious plots and spine-tingling thrills to achieve success, enabled Xiong to come up with a unique way of writing.
(source: wiki)
Gu Long and Khu Lung are the same person, the latter is the Hokkien pronunciation in Indonesia.
Xiong Yaohua (Chinese: 熊耀華) (7 June 1938 – 21 September 1985), better known by his pen name Gu Long, was a Chinese novelist, screenwriter, film producer and director. Xiong is best known for writing wuxia novels and serials, which include Juedai Shuangjiao, Xiaoli Feidao Series, Chu Liuxiang Series, Lu Xiaofeng Series and Xiao Shiyilang. Some of these works have been adapted into films and television series for numerous times. In the 1980s Xiong started his own film studio, Bao Sian, to focus on adaptations of his works. He graduated from Cheng Kung Senior High School in Taipei and from the Foreign Language Department of Tamkang University.
Xiong was born on 7 June 1938 in Hong Kong but his registered identity claimed that he was born in 1941. His ancestral home was in Nanchang, Jiangxi, China, and he lived in Hankou in his childhood. He moved to Taipei, Taiwan in 1952 with his parents, who divorced in 1956. With help from his friends and using the money he earned from part-time work to fund his education, Xiong graduated from the Foreign Language Department of Tamkang University. He found a job in the United States Army Advisory in Taipei later.
In 1960, Xiong published his first wuxia novel, Cangqiong Shenjian (蒼穹神劍), under the pen name "Gu Long". From 1960 to 1961, Xiong published eight novels but did not achieve the results he desired. He moved to Ruifang Town (瑞芳鎮) and lived there for three years, after which he changed his perspective and adopted a new writing style. Between 1967 and the late 1970s, Xiong rose to prominence in the genre of modern wuxia fiction for his works. As the sole representative of excellence in the wuxia genre from Taiwan for an entire decade, Xiong was named along with Jin Yong and Liang Yusheng as the "Three Legs of the Tripod of Wuxia".
While he was still in university, Xiong lived with a dance hostess, Zheng Yuexia (鄭月霞), and had a son, Zheng Xiaolong (鄭小龍), with her. However, later, he started a relationship with another dance hostess, Ye Xue (葉雪), who also bore him a son, Ye Yikuan (葉怡寬). Shortly after that, Xiong met a senior middle school graduate, Mei Baozhu (梅寶珠), who became his first legal spouse and bore him his third son, Xiong Zhengda (熊正達). Xiong's extramarital affairs with other women caused him to break up with Mei later.
In the later part of his life, Xiong suffered from depression and the quality of his works declined rapidly. He had to employ ghostwriters to co-write many of his later works because of his ailing health. He died on 21 September 1985 at the age of 48 due to illness wrought by alcoholism, namely cirrhosis and esophageal hemorrhage, at around 6pm. Xiong's friends brought him 48 bottles of XO at his funeral.
Xiong was said to be influenced not only by wuxia fiction, but also by the works of Ernest Hemingway, Jack London, John Steinbeck and Friedrich Nietzsche. His novels are usually made up of short sentences and paragraphs, and mostly dialogues between characters like a play script.
In contrast with Xiong, other writers such as Jin Yong and Liang Yusheng take an alternative route in writing wuxia fiction, incorporating Chinese history, culture and philosophical ideas in their works. Xiong initially intended to follow them but changed his decision after exposure to western works such as the James Bond series and The Godfather novels. The influence of these works, which relied on the idiosyncrasies of human life, razor-sharp wit, poetic philosophies, mysterious plots and spine-tingling thrills to achieve success, enabled Xiong to come up with a unique way of writing.
(source: wiki)
Gu Long and Khu Lung are the same person, the latter is the Hokkien pronunciation in Indonesia.
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