Originality and Intellectual Property in the French and English Enlightenment

by Reginald McGinnis

Are legal concepts of intellectual property and copyright related to artistic notions of invention and originality? Do literary and legal scholars have anything to learn from each other, or should the legal debate be viewed as separate from questions of aesthetics? Bridging what are usually perceived as two distinct areas of inquiry, this interdisciplinary volume begins with a reflection on the "origins" of literary and legal questions in the Enlightenment to consider their ramifications in the post-Enlightenment and contemporary world. Tying in to the growing scholarly interest in connections between law and literature, on the one hand, and to the contemporary interrogation of "originality" and "authorship," on the other hand, the present volume furthers research in the field by providing a dense study of the legal and historical context to re-examine our current assumptions about supposed earlier Enlightenment and Romantic ideals of individual authorship and originality.

250 pages, Hardcover

First published January 1, 2008

Reviews

[Elizabeth]

on my to-read list because:

some useful discussions of the issue may be found in David Brewer's The Afterlife of Character and Elizabeth Judge's article "Kidnapped and Counterfeit Characters: Eighteenth Century Fan Fiction, Copyright Law, and the Custody of Fictional Characters," in Reginald McGinnis, ed., Originality and Intellectual Property in the French and English Enlightenment.
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