A blistering 1950’s Alternate-History Apocalypse that marks the beginning of a major new trans-media franchise.
Great Britain, mid-1950s.
Everyone remembers where they were when they heard the news. The simultaneous meltdown at the Windscale Nuclear Reactor and the Calder Hall site in the North of England killed thousands, but what came next was worst. The radioactive cloud, dispersed by heavy winds, effectively cut Great Britain in half and created the Exclusion Zone.
Hysterical accounts of strange creatures, wolf-like packs and bands of human survivors abound, but no really knows since the last expedition was lost fifteen months ago.
But there are mysteries that must be illuminated, and for Doctors Brian Mortlake and Constance Garraway, aided by a crack team of British soldiers, it’s time to enter the Zone.
Paul Kearney was born in rural County Antrim, Ireland, in 1967. His father was a butcher, and his mother was a nurse. He rode horses, had lots of cousins, and cut turf and baled hay. He often smelled of cowshit.
He grew up through the worst of the 'Troubles' in Northern Ireland, a time when bombs and gunfire were part of every healthy young boy's adolescence. He developed an unhealthy interest in firearms and Blowing Things Up - but what growing boy hasn't?
By some fluke of fate he managed to get to Oxford University, and studied Old Norse, Anglo-Saxon and Middle English.
He began writing books because he had no other choice. His first, written at aged sixteen, was a magnificent epic, influenced heavily by James Joyce, Samuel Beckett, Robert E Howard, and Playboy. It was enormous, colourful, purple-prosed, and featured a lot of Very Large Swords.
His second was rather better, and was published by Victor Gollancz over a very boozy lunch with a very shrewd editor.
Luckily, in those days editors met authors face to face, and Kearney's Irish charm wangled him a long series of contracts with Gollancz, and other publishers. He still thinks he can't write for toffee, but others have, insanely, begged to differ.
Kearney has been writing full-time for twenty-eight years now, and can't imagine doing anything else. Though he has often tried.