The Great Wave The Influence of Japanese Woodcuts on French Prints

by Colta Ives

After Admiral Perry broke through Japan's isolation in 1854, the current of Japanese trade flowed west again, bearing with it the colored woodcuts of Hokusai, Hiroshige, and their contemporaries. Some of the most avid collectors of these prints were the French Impressionists and Nabis, who found in them new ways to treat their own prints. In The Great Wave, Colta Feller Ives, Curator in Charge, Department of Prints and Photographs, The Metropolitan Museum of Art, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin.

Genres: Art

112 pages, Hardcover

First published January 1, 1974

About the author

Colta Feller Ives (April 5 1943 - ) is curator emerita in the Department of Drawings and Prints at The Metropolitan Museum of Art.