Barbara Dering: A Sequel To The Quick Or The Dead?

by Amélie Rives

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

288 pages, Paperback

First published January 1, 1892

About the author

Amelie Rives was born in 1863 in Richmond, Virginia to noted engineer Alfred L. Rives and the former Sadie MacMurdo. She was named after her aunt Amélie, a goddaughter of French Queen Marie-Amélie. She was a goddaughter of Robert E. Lee and a granddaughter of the engineer and Senator William Cabell Rives, who had also been American ambassador to France.
Rives wrote at least twenty-four volumes of fiction, numerous uncollected poems, and Herod and Marianne (1889), a verse drama. In 1888, she published the novel The Quick or the Dead?, her most famous and popular work, which sold 300,000 copies. The work depicted the erotic passions of a newly widowed woman and earned Rives notoriety. Her 1914 novel, World's End was reputed to be "the best seller in New York city".
Later she turned to theater and began writing plays for Broadway. Her play The Fear Market ran for 118 performances at the Booth Theatre in 1916.
Amélie Rives married John Armstrong Chanler, a great-great grandson of John Jacob Astor and the oldest of 10 orphaned siblings, born to John Winthrop Chanler and Margaret Astor Ward of the Astor family. The Rives-Chanler marriage was scandalous, but unhappy. The couple spent seven years as husband and wife, but most of the time lived apart. Rives flirted with George Curzon[5] and began using drugs.
In 1896, just four months after their divorce, she married Prince Pierre Troubetzkoy, an artist and aristocrat after Oscar Wilde introduced them in London. The couple resided at Castle Hill, near Cismont, Virginia.