Hirai Tarō (平井 太郎), better known by the pseudonym Rampo Edogawa ( 江戸川 乱歩), sometimes romanized as "Ranpo Edogawa", was a Japanese author and critic who played a major role in the development of Japanese mystery fiction.
Many revenge stories are really exciting. But it's more compelling when the avenger is the protagonist and not the villain, as in The Count of Monte Cristo. Because Edogawa's villains are so superficial, the villain is the villain, and while there are plausible character motivations, the writer and reader fail to develop sympathy for the villains. The villain like Javert in Les Misérables impressed me more because the reader also understands the villain who is a flesh and blood human being while nobody is an unforgivable villain. (But yeah it’s not comparable I mean this one is only a crime fiction xx
Edogawa's narrative strategy probably won't be accepted by everyone, I found it ok, certainly not as brilliantly entertaining as Nabokov's sometimes slightly prophetic narration in Lolita.
“I don't know anything, and my children have even less to do with it. There is no reason to pass on the hatred of fathers to future generations.” Somehow relatable