DISCLOSURE: This periodical has published my work in the past, and has purchased additional work from me for future publication.
Broadswords and Blasters continues its solid run with Issue Six. The usual strengths of the periodical are present here, particularly inventive concepts and genre diversity. This issue’s more than worth the price, both in terms of money and the reader’s time. I enjoyed it.
As a frequent reviewer, I’ve rated some previous issues more highly, and I feel I should be clear as to why. My first reason is somewhat subjective. Many pulp periodicals have a very clear niche and publish writers who write in a particular style—thus, fans of the periodical know what to expect. Readers are likely to get their itch scratched, but less likely to be surprised. B&B is much more into the creative and experimental. This means that, for any given reader, there’s going to be a number of stories that just don’t resonate, as well as a couple that resonate in a major way. For me personally, this issue had a higher-than-normal “miss” rate. It’s very possible that other readers will get a kick out of the stuff that didn’t work for me; I am, after all, the guy who gave Xenocide five stars and Speaker For The Dead only two.
There are also a couple of what I’d consider to be objective problems with the editing—usage and spelling errors both in the editors’ preface and in some of the stories, and formatting issues with the Kindle edition, such as titles off-center or bleeding onto the last page of the previous story. The Kindle formatting issues, which were also present in some early issues, seemed to be resolved in B&B #5, so I was surprised to see them here. These problems are infrequent and not huge in scope, but they do take some of the shine off of the finished product and detract from reader immersion.
As is always the case with B&B, there are some standout stories herein. I particularly valued:
THE OGRE’S SECRET by Robert Walton – Vikings climb a mountain in search of Aesir treasure. The climbing and battle scenes are excellent, full of vivid description, credible predicaments, and clever solutions.
ROYAL STOWAWAY by Catherine Cole. The opening is a master-class in clean, painless exposition, character introduction, and stakes-setting. The author’s imaginative exobiology contributes to a fun, frenzied action sequence with an entertaining resolution.
TOMORROW’S EYES by David VonAllmen. Trainspotting meets Donnie Darko. A deliberately disjointed tale of a runaway from a pharmaceutical test who’s dealing with some particularly problematic side-effects of his “medication”. Cleverly constructed, the story rewards careful and patient readers, which can’t always be said of modern pulp.