2019: 45
.
🍁
.
Jangam: A Forgotten Exodus in which Thousands Died.
Written by Debendranath Acharya.
Translated by Amit Baishya.
1982/ 2018. Pp- 365.
.
.
“Hundred years is nothing in the history of a race.”
.
.
Based in a fictious village in Burma called Manku, a small community with families not more than 20, the story is set in historic backdrop- the mass exodus of Burmese Indians during the World War II, escaping the Japanese invasion.
At the centre of this backdrop, is a family of Ramgobinda - his widowed mother (68), his son, Thanu (7), and his wife Lacchmi (28), expecting their second child.
It is a story of him and his, a story of family ties, unbreakable bonds, of loss and pain and above all, of hope, faltering.
.
Debendranath Acharya is a renowned historical novelist in Assemese. Published posthumously in 1982, it is indeed a "tale of one of the largest yet completely undermined Humanitarian crisis in the history of British India."
.
It is an important book in the history of Indian Literature and of the history of India, for it is a tale of "unacknowledged people".
This one's for all the stories that were never heard!
.
Not knowing where to begin from, I'm overwhelmed to the brim.
There must be things to point out from the point of view factual and historical relevance (in comparison to the real events and the ways it was dealt with), as the translator, Amit Baishya mentions in his note. However, I would like to excuse myself from those and focus instead on the story line, the articulation and the final product that comes out in the book. I'd rather comment on the emotion and narration of the story, the thought behind it.
.
First of all, powerful themes like homelessness, loss, trauma, sense of belongingness are bravely explored in the story. The narrative also displays the level of empathy in the receiving society, or its lack thereof.
Coming to the storyline now, it narrates the loss of humanness of people, thrown out and away from their peaceful lives, in a world unknown and unsafe. It's not just a loss of one thing, but everything. A story of stateless people- in a very compelling way. Carrying hope and nothing else with them, it talks about not just the history but the pain and suffering that makes it one. It takes us on a journey of a family amongst many, being uprooted to the point of loss of any identity, reduced to an unwanted crowd. This is more than a transition. It's displacement.
It sparks within us feelings we are unaware of with the mere thought of leaving behind a life and starting a new one, a transition that is far from cherished, and the life of a generation to follow, for they too have lost a chance at happiness and peace.
.
The language is easy but quite influential. With its strong visuals, it leaves behind a strong, long lasting impact. From the remains of a mother and an infant frozen in the act of sucking her breast to the most beautiful butterflies in Assam that year feasting off the juices that oozed from the decaying body, calling the picture painted 'intense', would be an understatement. Makes you stop for a while and read it again, doesn't it?
.
If I speak of the structure of the book, it is close to perfection! I like books that are well-organised and structured to the last point. Something as simple as footnotes adds so much authenticity to one's text. Also, I don't know if you guys skip the introduction pages, but for me author's note, or in this case, a note from the Translator helps create a window for readers. A window to the perspective and context and the origin that lies behind and has lead up to every word that is to follow. That's the story of the story one is about to read. It brings us so much closer to the author and helps us understand what inspired him/ her to create start such a project! It inspires you further to commit to the book.
Now I think you'll know why I would say that it's well-researched book, backed up with genuine and relevant research.
However, there's a suggestion I'd like to make, though - read the introduction after you read the book. It kinda preps you in a way you might not want to be. I'm the kind of reader who like to discover my likes and dislikes on my own. Having read the the translator's note first, I was waiting for a lot things I was told to expect to see. But it's just a little heads up, it may be otherwise for you :)
.
The cover of the book is apt too, depicting the plight of people reduced to a crowd in a stranger land, with the grey choice of color adding to its impact.
.
.
Many might call Jangam a historical fiction. While it is one, we cannot reduce it only to this genre, because it is so much more than that. It unlayers the many layers of human emotion, felt and inspired.
It talks about not just the history but the pain and suffering that makes it one. The focus is more on the experience part of history than history itself. This book is our chance to know of the unspoken narratives, before they're completely forgotten.
.
From 1947 Partition refugees to the exodus of Kashmiri Pandits in the 90s, to a brief encounter with refugees of the Boer War from 1900s, I have discovered and relished this genre. Keeping it close to my heart, I thank Vitasta Publications to add such value to my shelf and life.
A great, great reading experience! 4 on 5!
.
.
#bookstagramindia #bookstagrammer #bookstagram #review #bookreview #readdreamrepeat #blogger #bookblogger #delhibookstagrammer #indianblogger #sahityaacademy #sahityaacademyawardwinner #translated #translatedreads #historicalfiction #historyofindia #worldwarII #refugees #refugeecrises #mustread