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Renoir: Father and Son / Painting and Cinema: Painting and Cinema
"Jean Renoir, deuxième fils du grand peintre Pierre-Auguste Renoir, fut l'un des cinéastes les plus influents du XXe siècle et même, selon Orson Welles, le plus grand de tous les réalisateurs. Cette situation exceptionnelle est le point de départ de Renoir père et fils / Peinture et cinéma. La présente exposition, la première consacrée par un musée à la relation artistique complexe et fructueuse qu'ont entretenue Pierre-Auguste et Jean, se propose d'examiner, dans une perspective nouvelle et nuancée, la façon dont l'oeuvre du père et celle du fils ont pu s'entrecroiser. À travers tout ce que les deux hommes ont partagé - des modèles et des lieux, une palette vibrante et les effets de lumière dans la nature -, elle se penche sur la production artistique d'un grand cinéaste et d'un grand peintre sous l'angle fascinant de la lignée familiale. Cette approche intime et particulière du sujet met au premier plan les moments importants de la carrière et de la vie de famille d'un père et d'un fils. Elle pose plus généralement la question du difficile dialogue entre deux modes d'expression artistique, la peinture et le cinéma. [...]"Laurence des Cars, Thomas Collins.
312 pages, Hardcover
Published May 1, 2018
11 people want to read
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October 4, 2018
Renoir, Father, Son – A Great Retrospective
I admit that I am rather out of step with art aficionados and the culture vultures in that, I tend not follow fashionable opinions, in what is in and what is out. Over recent years Renoir has been out, not popular with the fashionable set, but I have always loved his work, the colour palette and his subjects. How I would have loved to have been in New York for a recent exhibition and retrospective of Renoir Father and Son. Painting and Cinema.
This book is the exhibition catalogue, and besides being beautiful is packed with pictures of both Pierre-Auguste and Jean Renoir. Both masters of their art form, one in painting and one in film. This book shows the paradoxically relationship between art and film, between father and son.
The book examines how Jean Renoir discovered his own artistic voice while examining and questioning his father’s paintings. The book shows in a new light the relationship between father and son, how the son was the subject of his father’s art while never appearing on film with or by his son. Jean Renoir can never be accused of not loving his father, as one must remember that it took twenty-five years for him to write his father’s biography. That biography still the most authoritive and best work.
Pierre-Auguste paintings of Jean are present and just as beautiful as if you could view then in a gallery. One of my favourite pictures is reproduced where one-year old Jean is being entertained by Renoir’s housekeeper Gabrielle, who is trying to entertain him with toys. This book once again brings to life Renoir’s inner vision of life. Which Jean would later try and reproduce on screen.
At the same time, one should never dismiss the work of Jean, whom Orson Welles described as “the greatest of all directors”, seeing and having his worked at explained is so important.
What this exhibition catalogue does so well is explain the relationship between the father and son, and how this affected the work of both. That their understand and vision of the world was they portrayed in their work. Renoir was an anti-modernist painter who foresaw clashes between man and his creation as inevitable and Jean would in later life reproduce this clash on screen and I would think of his film Picnic in the Grass.
This is a beautiful, passionate book, that art and film loves must have and need to further their understanding of the Renoirs.
I admit that I am rather out of step with art aficionados and the culture vultures in that, I tend not follow fashionable opinions, in what is in and what is out. Over recent years Renoir has been out, not popular with the fashionable set, but I have always loved his work, the colour palette and his subjects. How I would have loved to have been in New York for a recent exhibition and retrospective of Renoir Father and Son. Painting and Cinema.
This book is the exhibition catalogue, and besides being beautiful is packed with pictures of both Pierre-Auguste and Jean Renoir. Both masters of their art form, one in painting and one in film. This book shows the paradoxically relationship between art and film, between father and son.
The book examines how Jean Renoir discovered his own artistic voice while examining and questioning his father’s paintings. The book shows in a new light the relationship between father and son, how the son was the subject of his father’s art while never appearing on film with or by his son. Jean Renoir can never be accused of not loving his father, as one must remember that it took twenty-five years for him to write his father’s biography. That biography still the most authoritive and best work.
Pierre-Auguste paintings of Jean are present and just as beautiful as if you could view then in a gallery. One of my favourite pictures is reproduced where one-year old Jean is being entertained by Renoir’s housekeeper Gabrielle, who is trying to entertain him with toys. This book once again brings to life Renoir’s inner vision of life. Which Jean would later try and reproduce on screen.
At the same time, one should never dismiss the work of Jean, whom Orson Welles described as “the greatest of all directors”, seeing and having his worked at explained is so important.
What this exhibition catalogue does so well is explain the relationship between the father and son, and how this affected the work of both. That their understand and vision of the world was they portrayed in their work. Renoir was an anti-modernist painter who foresaw clashes between man and his creation as inevitable and Jean would in later life reproduce this clash on screen and I would think of his film Picnic in the Grass.
This is a beautiful, passionate book, that art and film loves must have and need to further their understanding of the Renoirs.
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