How the World Became a Stage: Presence, Theatricality, and the Question of Modernity

by William Egginton

What is special, distinct, modern about modernity? In How the World Became a Stage, William Egginton argues that the experience of modernity is fundamentally spatial rather than subjective and proposes replacing the vocabulary of subjectivity with the concepts of presence and theatricality. Following a Heideggerian injunctive to search for the roots of epochal change not in philosophies so much as in basic skills and practices, he describes the spatiality of modernity on the basis of a close historical analysis of the practices of spectacle from the late Middle Ages to the early modern period, paying particular attention to stage practices in France and Spain. He recounts how the space in which the world is disclosed changed from the full, magically charged space of presence to the empty, fungible, and theatrical space of the stage.

216 pages, Hardcover

First published October 1, 2002

About the author

William Egginton is a literary critic and philosopher. He has written extensively on a broad range of subjects, including theatricality, fictionality, literary criticism, psychoanalysis and ethics, religious moderation, and theories of mediation. William Egginton was born in Syracuse, New York in 1969. He received his PhD in Comparative Literature from Stanford University in 1999. His doctoral thesis, "Theatricality and Presence: a Phenomenology of Space and Spectacle in Early Modern France and Spain," was written under the direction of Hans Ulrich Gumbrecht. He currently resides with his wife, Bernadette Wegenstein, and their three children, in Baltimore, Maryland. William Egginton is the Decker Professor in the Humanities and Director of the Alexander Grass Humanities Institute at the Johns Hopkins University, where he teaches on Spanish and Latin American literature, literary theory, and the relation between literature and philosophy.