‘Music is medication. The elixir of life. It’s for injecting into the blood stream to take away the pain…to promote euphoria…to adrenalise us and give us courage and fortitude’ In a top London recording studio, Cat, a young songwriter, her producer Bernard, their lawyers and psychotherapists go to battle over who owns a hit song. Amidst a gathering storm of bitter complaints and brutal recriminations Cat and Bernard inflict a devastating toll on each other in a war that only one of them can win. ‘The music industry isn't about healing heartbreak and vulnerability. It's about selling it’ A sly, wry exploration of the dark side of the music industry by the multi-Olivier Award-winning writer of Sunny Afternoon and Blue/Orange, Joe Penhall. This edition was published alongside the world premiere at The Old Vic, London in April 2018, directed by Roger Michell.
I gave up reading this play half way through because I found it so boring. Perhaps I was biased because I had just finished reading Cat On A Hot Tin Roof, a riveting play that kept my attention with every word. Here, a man and a woman who've been in a relationship talk in two separate dialogues about who owns the rights to a song they have written together and produced together - or have they? Is this really the stuff of drama? I don't think so and would have no interest in seeing this on stage. Freak Out! My Life with Frank Zappa