Emily Garr's accomplishments as a painter and writer assure her prominence in the Canadian cultural scene. Her works inspire others in their own creative efforts. The gentle, irascible, passionate, poetic voice of Emily Carr resonates through her writings today, even more strongly than before. Her attitudes and observations were ahead of her time on native issues, because of the important role native Northwest Coast culture played in her art and life, and on feminism, as a woman who surmounted gender prejudice to achieve her goals with such distinction. Her deep commitment to nature in all its manifestations speaks to the environmental dilemmas that face us now. Thc Emily Carr Omnibus includes all her major published works. Here are her much-loved early stories, ranging for the gentle recollections of Klee Wyck and The Book of Small, to the acerbic The House of All Sorts, as well as the lesser-known Pause and The Heart of a Peacock. Here also are more personal Growing Pains, her autobiography, and her collected journals, Hundreds and Thousands.
Emily Carr (December 13, 1871 – March 2, 1945) was a Canadian artist and writer heavily inspired by the indigenous peoples of the Pacific Northwest Coast. One of the first painters in Canada to adopt a post-impressionist painting style, Carr did not receive widespread recognition for her work until later in her life. As she matured, the subject matter of her painting shifted from aboriginal themes to landscapes, and, in particular, forest scenes. As a writer, Carr was one of the earliest chroniclers of life in British Columbia. The Canadian Encyclopedia describes her as a "Canadian icon".