Mazurkas, Poemes, Impromptus and Other Pieces for Piano

by Alexander Scriabin

This unique volume of Alexander Scriabin's piano music combines all of the Russian composer's widely admired Poèmes, which exude the richness and complexity of his later style, with virtually all of the earlier, more Chopinesque Mazurkas and all eight Impromptus. The complete collection contains 75 piano works of varying length and difficulty, including a number of compositions with unique titles.
In style, they represent the full span of Scriabin's musical life, from his early romanticism to the bold chromaticism, mysticism, and ecstatic fervor of his mature period. In technique, these compositions embody Scriabin's distinctive keyboard invention, vividly displaying his use of chords built on unusual intervals, unconventional rhythmic groupings, use of the trill for coloristic effect, and rich, luxuriant sonority. Pianists will find in these highly original works, reprinted here from authoritative Russian editions, piano music that intimately reveals one of the most distinctive musical personalities of the late 19th and early 20th centuries.

320 pages, Paperback

First published March 1, 1991

About the author

[alternate spelling: Alexander Skrjabin]

Alexander Nikolayevich Skrjabin (Russian: Александр Николаевич Скрябин) was a Russian composer and pianist. In his early years he was greatly influenced by the music of Frédéric Chopin and wrote works in a relatively tonal, late Romantic idiom. Later, and independently of his highly influential contemporary, Arnold Schoenberg, Scriabin developed a substantially atonal and much more dissonant musical language, which accorded with his personal brand of metaphysics. Scriabin was influenced by synesthesia, and associated colours with the various harmonic tones of his atonal scale, while his colour-coded circle of fifths was also influenced by theosophy. He is considered by some to be the main Russian Symbolist composer. His son, Julian Scriabin, a child prodigy, was a composer and pianist in his own right, but he died by drowning at the age of eleven in Ukraine.

Scriabin was one of the most innovative and controversial of early modern composers. The Great Soviet Encyclopedia said of Scriabin that "no composer has had more scorn heaped on him or greater love bestowed." Leo Tolstoy described Scriabin's music as "a sincere expression of genius." Scriabin's oeuvre exerted a salient influence on the music world over time, and influenced composers such as Igor Stravinsky, Sergei Prokofiev, and Karol Szymanowski. However, Scriabin's importance in the Russian and then Soviet musical scene, and internationally, drastically declined after his death. According to his biographer Faubion Bowers, "No one was more famous during their lifetime, and few were more quickly ignored after death." Nevertheless, his musical aesthetics have been reevaluated since the 1970s, and his ten published sonatas for piano and other works have been increasingly championed, garnering significant acclaim in recent years.