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Jazz Play-Along #49
Miles Davis Standards: Jazz Play-Along Volume 49 (Hal Leonard Jazz Play-Along) - Book/Online Audio
(Jazz Play Along). For use with all Bb, Eb and C instruments, the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues and other split-track choices on the included CD, this first-of-its-kind package makes learning to play jazz easier than ever before. FOR STUDY, each tune includes a split track Melody cue with proper style and inflection * Professional rhythm tracks * Choruses for soloing * Removable bass part * Removable piano part. FOR PERFORMANCE, each tune also An additional full stereo accompaniment track (no melody) * Additional choruses for soloing. Includes 10 Autumn Leaves * Bye Bye Blackbird * Darn That Dream * How Deep Is the Ocean (How High Is the Sky) * I Loves You, Porgy * If I Were a Bell * My Funny Valentine * On Green Dolphin Street * Some Day My Prince Will Come * Yesterdays.
88 pages, Paperback
First published December 1, 2005
About the author
Miles Davis
176 books116 followersWith warm, muted style on albums, such as
Kind of Blue
(1959), noted American trumpeter Miles Dewey Davis, Junior, later experimented with jazz-fusion.
Recordings of Armando Anthony Corea with group of Davis from 1968 to 1970 contributed to the development of jazz-fusion.
Miles Dewey Davis III led a band and composed.
From World War II, people widely considered Davis at the forefront of almost every major development as the most influential musicians of the 20th century, to the 1990s. He played various early bebop and one of the first cool records. He partially responsibly developed modal, and his work with other musicians in the late 1960s and early 1970s arose.
Davis belongs to the great tradition that started with Buddy Bolden and ran through Joe Oliver, Louis Armstrong, Roy Eldridge, and Dizzy Gillespie, although people never considered his high level of technical ability unlike those of those musicians. His greatest achievement, however, moved beyond regard as a distinctive influence on his own instrument and shaped whole ways through the work of his bands, in which many of the most important musicians of the second half of the 20th century made their names.
The hall of fame for rock and roll posthumously inducted Davis on 13 March 2006. The walk of fame of Saint Louis and the halls for big band and jazz and downbeat jazz also inducted him.
Recordings of Armando Anthony Corea with group of Davis from 1968 to 1970 contributed to the development of jazz-fusion.
Miles Dewey Davis III led a band and composed.
From World War II, people widely considered Davis at the forefront of almost every major development as the most influential musicians of the 20th century, to the 1990s. He played various early bebop and one of the first cool records. He partially responsibly developed modal, and his work with other musicians in the late 1960s and early 1970s arose.
Davis belongs to the great tradition that started with Buddy Bolden and ran through Joe Oliver, Louis Armstrong, Roy Eldridge, and Dizzy Gillespie, although people never considered his high level of technical ability unlike those of those musicians. His greatest achievement, however, moved beyond regard as a distinctive influence on his own instrument and shaped whole ways through the work of his bands, in which many of the most important musicians of the second half of the 20th century made their names.
The hall of fame for rock and roll posthumously inducted Davis on 13 March 2006. The walk of fame of Saint Louis and the halls for big band and jazz and downbeat jazz also inducted him.
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