This volume, without negating Williams' strong ties with modernism, intends to dislodge this deeply ingrained critical positioning by presenting him as an overlooked figure in the emerging tradition of postmodernism. The study advances the claim that Williams clearly recognized this nascent discourse and, rather than pursuing his earlier mode of writing, consciously sought a new language for a rapidly changing cultural context. Drawing on wide-ranging, multidisciplinary critical texts, this book will be of interest not only to Williams scholars but to all those who continue to be intrigued by the elusive boundaries between word and image as well as modernism and postmodernism.
Zsófia Bán was born in Rio de Janeiro in 1957 and grew up in Brazil and Hungary. A writer, essayist, and critic of art and literature, she made her fiction debut in 2007 with Esti iskola [Night School: A Reader for Adults], followed by Amikor még csak az állatok éltek [When There Were Only Animals, 2012].
Zsófia Bán’s writing often addresses topics related to visuality, visual arts, photography, personal and cultural memory, historical trauma, as well as gender. She has written a number of essays related to the topic of literature and visuality, including those on W.G. Sebald, Susan Sontag, Imre Kertész and Péter Nádas. Her short stories and essays have been widely anthologized, and translated to a number of languages, including German, English, Spanish, Czech, Slovakian and Slovenian.
She lives and works in Budapest, where she is Associate Professor at Eötvös Loránd University, Department of American Studies.