This final installment of the Millennial Quartet addresses the question of whether cosmopolitanism—ways of thinking, feeling, and acting beyond one’s particular society—is simply the universalism of a Western particular. Assembling scholars from an array of disciplines including English literature and language, romance languages, art history, South Asian studies, and anthropology, this special issue of Public Culture recenters the theory and history of translocal political aspirations and cultural ideas from the traditional Western vantage point to areas outside Europe, such as South Asia, China, and Africa. By examining new archives, framing new theoretical formulations, and suggesting new possibilities of political practice, these essays stretch the term cosmopolitanism to new definitions. On the one hand, cosmopolitanism may be taken to promise a form of supraregional political solidarity, but on the other, it may erode precisely those cultural differences that derive their meaning from a particular place and tradition. Given that most cosmopolitan political formations, from the Roman imperium to European imperialism to contemporary globalization, have been coercive and unequal, can there be a noncoercive and egalitarian cosmopolitan politics? At the most elevated level of conceptualization, while cosmopolitanism may promise a universalism of knowledge, it more typically represents an unwarranted generalization of a European idea or practice.
Dipesh Chakrabarty (b. 1948) is a Bengali historian who has also made contributions to postcolonial theory and subaltern studies.
He attended Presidency College of the University of Calcutta, where he received his undergraduate degree in physics. He also received a Post Graduate Diploma in Management (MBA) from Indian Institute of Management Calcutta. Later he moved on to the Australian National University in Canberra, from where he earned a PhD in history.
He is currently the Lawrence A. Kimpton Distinguished Service Professor of History, South Asian Languages and Civilizations and the College at the University of Chicago. He was a visiting faculty at the Centre for Studies in Social Sciences, Calcutta. Chakrabarty also serves as a contributing editor for Public Culture, an academic journal published by Duke University Press.
He was a member of the Subaltern Studies collective. He has recently made important contributions to the intersections between history and postcolonial theory (Provincializing Europe [PE]), which continues and revises his earlier historical work on working-class history in Bengal (Rethinking Working-Class History). PE adds considerably to the debate of how postcolonial discourse engages in the writing of history (e.g., Robert J. C. Young's "White Mythologies"), critiquing historicism, which is intimately related to the West's notion of linear time. Chakrabarty argues that Western historiography's historicism universalizes liberalism, projecting it to all ends of the map. He suggests that, under the rubric of historicism, the end-goal of every society is to develop towards nationalism.
In 2011 he received an Honorary degree from the University of Antwerp.
This book is a must-read for anyone interested in cosmopolitanism. From Pollock's articulation of vernacularity of accommodation and of necessity, to Chakrabarty's elaboration of Marxist abstract labor and life as the force to tore down capitalism, from Diouf's description of the Murid brotherhood's practice of participation without assimilation, to Abbas's de-scription of the spatiality of shanghai and hong kong as a rethinking of cosmopolitanism, from Huang's differentiation of reaction and interaction, to Biaya's examination of eroticism and hardscarf in Senegal art, this collection offers the most stimulating readings and thinkings of what it means (or has meant, or can mean) to be cosmopolitan.