The history of Italian cinema includes, in addition to the renowned auteurs, a number of peculiar and lesser-known filmmakers. While their artistry was often plagued with production setbacks, their works--influenced by poetry, playwriting, advertising, literature, comics and a nonconformist, sometimes antagonistic attitude--were original and thought provoking. Drawing from official papers and original scripts, this book includes much previously unpublished information on the works and lives of post-World War II filmmakers Pier Carpi, Alberto Cavallone, Riccardo Ghione, Giulio Questi, Brunello Rondi, Paolo Spinola, Augusto Tretti and Nello Vegezzi.
Roberto Curti is a free lance writer for several Italian and foreign magazines. He’s a regular contributor to Italian music, film and literary magazine Blow Up (http://www.blowupmagazine.com). He has collaborated, among others, to the Italian cult film magazine Nocturno Cinema and to the Canadian web mag Offscreen (www.offscreen.com). His most recent work is Italian Crime Filmography 1968-1980 (McFarland), an in-depth history of Italian crime and noir films.