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An Essay on Architecture: In Which Its True Principles Are Explained, and Invariable Rules Proposed, for Directing the Judgement and Forming the Taste ... Kinds of Buildings, the Embellishment o

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Excerpt from An Essay on Architecture: In Which Its True Principles Are Explained, and Invariable Rules Proposed, for Directing the Judgement and Forming the Taste of the Gentleman and the Architect, With Regard to the Different Kinds of Buildings, the Embellishment of Cities

Delicacies-p R t-e F A 'c E. Delicacies of} therh.' They have wrote very learnedly of poetry, painting and muiic. The myf feries of thefe ingenious arts have been (0 nicely examined, that.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

308 pages, Hardcover

First published January 1, 1977

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About the author

Marc-Antoine Laugier

125 books2 followers
French cleric, architectural theorist and historian of the neoclassical period. A Jesuit until 1755, and a Benedictine abbot afterwards.

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Displaying 1 - 2 of 2 reviews
Profile Image for Penandinkpot Uzma.
25 reviews
January 1, 2013
Architectural reading. Very good if you have an interest in architectural form and a key figure, Laugier, in western history and his essays on architecture.
Profile Image for Ջոն (John Goolvart).
34 reviews44 followers
December 30, 2022
A fine building is not that which has an arbitrary beauty, but that which relatively to circumstances has all the beauty which is proper, and nothing beyond. (pag. 194)

The beauty of the buildings I am speaking of depends chiefly on three things. The exactness of the proportions, the elegancy of the forms, and the choice and disposition of the ornaments. (pag. 119)
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