Movies Come from America

by Gilbert Seldes

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

120 pages, Hardcover

First published January 1, 1978

About the author

Gilbert Vivian Seldes (/ˈsɛldiːz/) was an American writer and cultural critic. Seldes served as the editor and drama critic of the seminal modernist magazine The Dial and hosted the NBC television program The Subject is Jazz (1958). He also wrote for other magazines and newspapers like Vanity Fair and the Saturday Evening Post. He was most interested in American popular culture and cultural history. He wrote and adapted for Broadway, including Lysistrata and A Midsummer Night's Dream in the 1930s. Later, he made films, wrote radio scripts and became the first director of television for CBS News and the founding dean of the Annenberg School for Communication at the University of Pennsylvania.

He spent his career analyzing popular culture in America, advocating cultural democracy, and subsequently, calling for public criticism of the media. Near the end of his life, he quipped, "I've been carrying on a lover's quarrel with the popular arts for years ... It's been fun. Nothing like them."

Reviews

[Jim Perillo · Rating 4 out of 5]

This book was written in 1937, and as a result presented a fascinating insight and time-capsule. While the writing felt understandably dated at times, it presented various aspects of the then-nascent American film industry in an interesting way. Its a shame that a book like this is not readily accessible- I was lucky to get one from the local library.