While many lionize Billy the Kid, the man who killed him, Sheriff Patrick Floyd Garrett, has a rarely told but riveting true story all his own. His adventurous life spawned many a far-fetched, exciting legend. In 1896, Garrett s investigation of the still-unsolved murder of Albert J. Fountain on the White Sands led to nothing but a gunfight and a dead deputy. Some say that Garrett faked the details the night the Kid was brought to ultimate justice, while others swear another wannabe hero did him in. In perfect irony, Garrett s own 1908 death is shrouded in mystery. Some report he died by the hand of Billy the Kid himself. Author John LeMay exposes fabricated tales for what they are and focuses on memories long forgotten about Billy the Kid s personal grave digger, Sheriff Pat Garrett."
I really enjoyed this one! very facinating study of the tall tales of Billy the Kid. the author really dives deep into these stories, such as the old one about "Brushy" Bill Roberts and his claims of being "The Kid", Billy's ghost, his meeting Jesse James, its all covered. The Author also has another one on Pat Garrett, which I look forward to reading very soon! If you like stories about the old west, Billy the Kid and such, I highly recommend this book!
This book is not so much about the Kid himself as it is about how New Mexican people and places have piled on to the Kid’s coattails. The phenomenon has had a long half life since the last person who actually knew him died seventy-plus years ago. One of the most intriguing impersonators was a Kid doppelgänger who rolled into town about twenty years ago and was immediately offered Lincoln City's primo historic reenactor gig. But it must have gone to his head because he became a cattle wrestler and had to be run out of town. Lucky for him the sheriff was no Pat Garrett wannabe.
Slender book with a slender return on your investment. Lemay sets out to do something interesting: write a book not about the life of the historical Billy the Kid, but about the wealth of stories concerning the famed outlaw. This means a lot of digging in old sources and conversations with old timers who knew somebody, who knew something. For doing that, Lemay deserves credit.
Unfortunately, the rumors/myths/whoppers are so considerable - and so convoluted - that it is difficult to keep them straight. And Lemay's writing style tangles them even further.
The book would be more useful if the author had ended each segment with a paragraph or two detailing the truth about that aspect of Bonney's life. Instead, he seems to assume the reader is already well-read enough about the Kid to know the accurate information.
Pick up this book only if you are a real Billy the Kid buff and already know a good deal about him.