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Nouveau Journal Inédit (Classic Reprint)

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.

We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

134 pages, Paperback

First published January 1, 1876

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About the author

Marie Bashkirtseff

28 books28 followers
Born Maria Konstantinovna Bashkirtseva in Gavrontsi near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Académie Julian, one of the few establishments that accepted female students. The Académie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau, who Bashkirtseff viewed as her only rival. Bashkirtseff would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazi's during World War II.

From the age of 13, Bashkirtseff began keeping a journal, and it is for this that she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891.

Dying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.
She is buried in Cimetière de Passy, Paris, France. Her monument is a full-sized artist studio that has been declared a historic monument by the government of France.

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Profile Image for Sara Jesus.
1,798 reviews129 followers
February 18, 2022
Marie Bashkirtseff foi uma pintora, escultora e escritora russa. Das primeiras mulheres a publicar um diário, e grande parte da sua fama deve-se a esse seu "jornal". Era uma mulher notável, com ideias fixas que com apenas treze anos já possui certezas a propósito da sua vida futura.

Este volume é apenas uma pequena parte do seu diário, mas possibilitou-me conhecer a mente desta artista que passou a sua infância e adolescência viajando pela Europa, nomeadamente por Paris e Nice, manifestando ideias feministas. Uma mulher que deve voltar a ser relembrada, e da qual pretendo ler a segunda parte do diário referido como uma historia trágica de sofrimento.

Algumas escritoras famosas influenciadas pelo seu diário foram Katherine Mansfield e Anais Nin.
Displaying 1 - 1 of 1 review