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The Correspondence of Dante Gabriel Rossetti: The Formative Years, 1835-1862: Charlotte Street to Cheyne Walk. II. 1855-1862
Major edition revealing key ideas and events in the lives and work of the Pre-Raphaelite brotherhood and Victorian literary 5,800 letters (including 2,000 previously unpublished letters) to 330 recipients.
1855-1862: This nine-volume editionl represents the definitive collection of extant Rossetti correspondence, an outstanding primary witness to the range of ideas and opinions that shaped Rossetti's art and poetry. The largest collection of Rossetti's letters ever to be published, it features all known surviving letters, a total of almost 5,800 to over 330 recipients, and includes 2,000 previously unpublished letters by Rossetti and selected letters to him.In addition to this, about 100 drawings taken from within letter texts are also reproduced. In its entirety the collection will give an invaluable and unparalleled insight into Rossetti's character and art, and will form a rich resource for students and scholars studying all aspects of his life and work.
The correspondence has been transcribed from collections in sixty-four manuscript repositories, containing Rossetti's letters to his companions inthe Pre-Raphaelite Brotherhood, Hunt and Stephens; friends such as Boyce and Bell Scott; his early patrons, Ellen Heaton and James Leathart; and his publisher friend, Alexander Macmillan. An additional twenty-two printed sources have also been accessed. Index; extensive annotations.
WILLIAM E. FREDEMAN (1928-1999) was professor of English at the University of British Columbia from 1956-1991. His many books, articles and reviews on the Pre-Raphaelites and their followers include his important A Bibliocritical Study. He died in 1999 with this edition almost completed; LEONARD ROBERTS is an art historian and author of Arthur His Life and Works.
1855-1862: This nine-volume editionl represents the definitive collection of extant Rossetti correspondence, an outstanding primary witness to the range of ideas and opinions that shaped Rossetti's art and poetry. The largest collection of Rossetti's letters ever to be published, it features all known surviving letters, a total of almost 5,800 to over 330 recipients, and includes 2,000 previously unpublished letters by Rossetti and selected letters to him.In addition to this, about 100 drawings taken from within letter texts are also reproduced. In its entirety the collection will give an invaluable and unparalleled insight into Rossetti's character and art, and will form a rich resource for students and scholars studying all aspects of his life and work.
The correspondence has been transcribed from collections in sixty-four manuscript repositories, containing Rossetti's letters to his companions inthe Pre-Raphaelite Brotherhood, Hunt and Stephens; friends such as Boyce and Bell Scott; his early patrons, Ellen Heaton and James Leathart; and his publisher friend, Alexander Macmillan. An additional twenty-two printed sources have also been accessed. Index; extensive annotations.
WILLIAM E. FREDEMAN (1928-1999) was professor of English at the University of British Columbia from 1956-1991. His many books, articles and reviews on the Pre-Raphaelites and their followers include his important A Bibliocritical Study. He died in 1999 with this edition almost completed; LEONARD ROBERTS is an art historian and author of Arthur His Life and Works.
640 pages, Hardcover
First published July 25, 2002
2 people want to read
About the author
Dante Gabriel Rossetti
597 books102 followersBritish poet and painter Dante Gabriel Rossetti, brother of Christina Georgina Rossetti, founded the Pre-Raphaelite brotherhood, a society, in England in 1848 to advance the style and spirit of Italian painting before Raphael (Raffaelo Sanzio); his known portraits and his vividly detailed, mystic poems, include "The Blessed Damozel" (1850).
This illustrator and translator with William Holman Hunt and John Everett Millais later mainly inspired and influenced a second generation of artists and writers, most notably William Morris and Edward Burne-Jones. His work also influenced the Symbolists, a group of chiefly French writers and artists, who of the late 1800s rejected realism and used symbols to evoke ideas and emotions. He served as a major precursor of Aestheticism, an artistic and intellectual movement or the doctrine, originating in Britain in the late 19th century, that from beauty, the basic principle, derives all other, especially moral, principles.
This illustrator and translator with William Holman Hunt and John Everett Millais later mainly inspired and influenced a second generation of artists and writers, most notably William Morris and Edward Burne-Jones. His work also influenced the Symbolists, a group of chiefly French writers and artists, who of the late 1800s rejected realism and used symbols to evoke ideas and emotions. He served as a major precursor of Aestheticism, an artistic and intellectual movement or the doctrine, originating in Britain in the late 19th century, that from beauty, the basic principle, derives all other, especially moral, principles.
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