Taras Shevchenko is an iconic and much-revered Ukrainian artist, poet and multi-talented man of letters, who remains an important symbol of Ukrainian nationalism to this day. The idea of writing about him came to the author when she herself was in exile in Kazakhstan between 1947-1956. She wanted to celebrate his determination to fight for the liberation of his nation even whilst in exile. The book is based on extensive research and adheres to the historical facts, whilst remaining an enjoyable, entertaining and immersive historical novel. Taras Shevchenko (1814-1861) was convicted in 1847 of promoting the independence of Ukraine, writing poems in Ukrainian and ridiculing members of the Russian Imperial family. He was exiled to Kazakhstan, condemned to serve in the military and forbidden from writing or painting. It was a brutal life but thanks to sympathetic establishment figures he was able to escape barrack life to live as a civilian and associate with cultured society in Orsk, attending musical evenings and meeting fellow exiles. Part 1 of the book concentrates on these early days of his exile, where he also becomes involved in Kazakh life, meeting a local leader Djantemir, and becoming accepted into Kazakh community life. In Part 2 he is reprieved yet again by meeting Butakov who is planning an exploratory journey to the Aral Sea and gets Shevchenko appointed expedition artist. He makes an album of drawings as a gift to the Tsar, hoping this might gain him a pardon, but the novel ends quite abruptly with no pardon in sight. It’s a wide-ranging and multi-layered novel, and certainly not just about Shevchenko. Life in Kazakhstan is explored in some detail, providing the reader with some fascinating insights into Central Asian existence. Politics come in too, with the 1848 uprisings in France and elsewhere making it even less likely that Shevchenko will receive clemency from the Tsar. There’s much to enjoy here and much to learn. Kazakh life, culture and traditions, conditions for exiles in Central Asia, the preoccupations of the intellectuals banished there and there’s even a love story between two of the Kazakh characters for light relief. Shevchenko comes across as a thoughtful and intelligent man forced to confront Russian autocracy but doing so with courage and grace. The writing is fast-paced and the book well-constructed – although some proof-reading wouldn’t have come amiss – and it’s an absorbing fictional biography. A useful glossary of Kazakh words is appended at the end.