The name of Ruckers is as important to early keyboard instruments as Stradivarius is to strings. This book describes in close detail the art and technique of the Ruckers family, who produced harpsichords and virginals throughout a period of over 100 years. Dr O'Brien provides detailed information about the construction and decoration of Ruckers harpsichords and virginals, as well as the numbering, pitch, stringing, and the determination of the original state of their instruments. Like Stradivarius violins, Ruckers instruments were later altered, and the nature and musical significance of these alterations are discussed, as is the influence of the Ruckers style on later building practice. The instruments in their original and altered states are considered in relation to the music of the time and to contemporary performance practice. The text is richly illustrated with diagrams and pictures of original instruments, and with plan-view photographs reproduced at a scale of 1:10. The book also contains a partially illustrated catalogue of authentic and fake instruments, followed by extensive appendices.
Absolutely exceptional material culture study of the Ruckers tradition (this is the family whose harpsichords are what Stradivarius did for the violin).
This is a temporary review (more to follow). For anyone with a love of the harpsichord family, this is essential reading. Assuming that one knows a little beforehand, O'Brien's treatise is of great import.
If one follows on from Hubbard's great work, O'Brien produces (as one would expect, given his background) a monograph that probably will not be surpassed in my lifetime.
The Ruckers family was the harpsichord's equivalent of Strad. This work should be on every musician's bookshelf (I almost added 'musicologist', but they would have it already.