An English translation of a controversial German work critically assessing Pavarotti's singing career, his stardom, the myth of the tenor, and the commercialization of art. Kesting analyzes the singer's early training, debuts, recordings, and concerts demonstrating how Pavarotti defines the idolization of the tenor a tradition that originated with Enrico Caruso. Though the discussion centers on opera, the author raises serious questions regarding the price of such fame and its consequences on art. Annotation c. by Book News, Inc., Portland, Or.