Edmée: a Tale of the French Revolution

by Mrs. Molesworth, Gertrude Demain Hammond (Illustrator)

Nearly a hundred years ago this beautiful country of France, where I am now writing, was in a most sad and troubled state,—a state which we, whose lives have been passed in quiet and peaceful times, can scarcely picture to ourselves. For many, many years—hundreds of years—the causes which led to the terrible outbreak of the people against the ruling classes, known in history as “the Great French Revolution,” had been slowly but surely growing and gathering till at last the storm broke all bounds, and the unhappy country was given over to the rage and fury of the mob. Yet, cruel as were the leaders of this revolt, frightful as were the deeds they committed, it is impossible, and it would be altogether unjust, to blame them and their followers alone. In national as in family quarrels, the adage of “faults on both sides” is almost always found to be true, and certainly the misdeeds which were at the bottom of this most terrible of quarrels were far more on the side of the upper classes than of the lower. For generations they had been growing more and more indifferent to the sufferings of those whom they should have protected and helped. They seemed to think that the poor and the humble only existed to be their slaves. They seemed to forget that those beneath them had hearts and feelings,—almost to forget that they were human beings. The beautiful teaching of Jesus Christ was trampled and cast underfoot, even by those who still called themselves His followers. The rich lived in the greatest luxury, squandering money which had been ground out of the sore toil and labour of the poor. And the poor hated and abhorred the rich, till at last all classes, alike but in one thing—that they listened only to their own evil passions, caring nothing for the voice of God in their consciences, till that voice, so long disregarded, grew silent, and the good angels of the unhappy country seemed to fly away in mournful despair—were plunged into a sea of horror and bloodshed.

255 pages, Hardcover

First published January 1, 1885

About the author

Mary Louisa Molesworth, née Stewart was an English writer of children's stories who wrote for children under the name of Mrs. Molesworth. Her first novels, for adult readers, Lover and Husband (1869) to Cicely (1874), appeared under the pseudonym of Ennis Graham. Her name occasionally appears in print as M.L.S. Molesworth.

She was born in Rotterdam, a daughter of Charles Augustus Stewart (1809–1873) who later became a rich merchant in Manchester and his wife Agnes Janet Wilson (1810–1883). Mary had three brothers and two sisters. She was educated in Great Britain and Switzerland: much of her girlhood was spent in Manchester. In 1861 she married Major R. Molesworth, nephew of Viscount Molesworth; they legally separated in 1879.

Mrs. Molesworth is best known as a writer of books for the young, such as Tell Me a Story (1875), Carrots (1876), The Cuckoo Clock (1877), The Tapestry Room (1879), and A Christmas Child (1880). She has been called "the Jane Austen of the nursery," while The Carved Lions (1895) "is probably her masterpiece."

Mary Louisa Molesworth typified late Victorian writing for girls. Aimed at girls too old for fairies and princesses but too young for Austen and the Brontës, books by Molesworth had their share of amusement, but they also had a good deal of moral instruction. The girls reading Molesworth would grow up to be mothers; thus, the books emphasized Victorian notions of duty and self-sacrifice.

Typical of the time, her young child characters often use a lisping style, and words may be misspelt to represent children's speech—"jography" for geography, for instance.

She took an interest in supernatural fiction. In 1888, she published a collection of supernatural tales under the title Four Ghost Stories, and in 1896 a similar collection of six tales under the title Uncanny Stories. In addition to those, her volume Studies and Stories includes a ghost story entitled "Old Gervais" and her Summer Stories for Boys and Girls includes "Not Exactly a Ghost Story."

A new edition of The Cuckoo Clock was published in 1914.

She died in 1921 and is buried in Brompton Cemetery, London.

[Wikipedia]

Reviews

[Hannah · Rating 4 out of 5]

A tale about the French Revolution and sweet young Edmée, a survivor and the ancestress of the children listening to the tale.