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في الشرق حل الربيع
إن قصائد حمزة ذات بنية تركيبية فريدة من نوعها، فهي قصيرة، سلسلة اللغة، وأكثر أبياتها كأهمية من حيث المحتوى تتكرر كلازمة غنائية، بينما تساهم القوافي المتنوعة والمحافظة الصارمة على الوزن في جعل القصائد صادحة، طلقة قوية الجرس.
ويستخدم حمزة في أشعاره بحورًا متباينة وذلك لأول مرة في الشعر الأوزبكي السوفييتي.
وكان حمزة هو أول شاعر أوزبكي انتقل من الأشكال الشعرية التقليدية المعقدة -العروض- إلى الأشكال الشعبية مستخدمًا على أوسع نطاق التصويرية المعبرة للزجل الشعبي.
وعلى هذا فإن حمزة لم يُدخل إلى الأدب الأوزبكي مواضيع جديدة وحسب، بل وشكلًا فنيًا جديدًا يتلاءم أكمل التلاؤم مع المضمون الاشتراكي.
ويستخدم حمزة في أشعاره بحورًا متباينة وذلك لأول مرة في الشعر الأوزبكي السوفييتي.
وكان حمزة هو أول شاعر أوزبكي انتقل من الأشكال الشعرية التقليدية المعقدة -العروض- إلى الأشكال الشعبية مستخدمًا على أوسع نطاق التصويرية المعبرة للزجل الشعبي.
وعلى هذا فإن حمزة لم يُدخل إلى الأدب الأوزبكي مواضيع جديدة وحسب، بل وشكلًا فنيًا جديدًا يتلاءم أكمل التلاؤم مع المضمون الاشتراكي.
168 pages, Hardcover
Published January 1, 1987
15 people want to read
About the author
Hamza Hakimzade Niyazi
5 booksHakimzade Niyazi Hamza (Uzbek name - Hamza Hakimzoda Niyoziy)
Uzbek Soviet poet, playwright and public figure, people's poet of the Uzbek SSR (1926). Member of the CPSU since 1920. Born in Kokand, in the family of a doctor. He studied at the mekteb, then at the madrasah. Having organized a free school for the poor, he taught there. He began to write poetry in 1899 under the influence of the work of the Uzbek educators Mukimi and Furkat. The main work of the pre-revolutionary work of Khamza, the handwritten poetic Divan (1905-14) in the Uzbek and Tajik languages, was published posthumously. In some gazelles of the Divan, along with the traditional images of unrequited love, there are motives of exposure of social inequality, protection of science and education. The first published works of Khamza are also imbued with the same motives: the poem "Ramadan" (1914), the story "New happiness" (1915), the play " which speak of the heavy share of Uzbek women in the pre-revolutionary years. He owns several dozen songs. Collecting folk songs in various regions of Uzbekistan, he performed them on national instruments. Not all of Khamza's musical heritage survived. Some of his melodies were included in the collection "Songs of Fergana, Bukhara and Khiva" (1931); some of the songs were recorded from famous Uzbek singers. Khamza conducted various social work, fought for the emancipation of women, exposed the actions of nationalists and reactionary clergy. Killed in the village of Shakhimardan on March 18, 1929 by an angry crowd of religious fanatics. Khamza is the founder of the literature of socialist realism in the Uzbek language. He enriched the classical poetic metrics (aruz) through the forms of folk verse (barmak). Hamza left a noticeable mark in the history of the development of socialist culture in Uzbekistan, not only as a poet and playwright, but also as a theater worker, composer and musician. His name was given to the Uzbek State Academic Drama Theater.
Uzbek Soviet poet, playwright and public figure, people's poet of the Uzbek SSR (1926). Member of the CPSU since 1920. Born in Kokand, in the family of a doctor. He studied at the mekteb, then at the madrasah. Having organized a free school for the poor, he taught there. He began to write poetry in 1899 under the influence of the work of the Uzbek educators Mukimi and Furkat. The main work of the pre-revolutionary work of Khamza, the handwritten poetic Divan (1905-14) in the Uzbek and Tajik languages, was published posthumously. In some gazelles of the Divan, along with the traditional images of unrequited love, there are motives of exposure of social inequality, protection of science and education. The first published works of Khamza are also imbued with the same motives: the poem "Ramadan" (1914), the story "New happiness" (1915), the play " which speak of the heavy share of Uzbek women in the pre-revolutionary years. He owns several dozen songs. Collecting folk songs in various regions of Uzbekistan, he performed them on national instruments. Not all of Khamza's musical heritage survived. Some of his melodies were included in the collection "Songs of Fergana, Bukhara and Khiva" (1931); some of the songs were recorded from famous Uzbek singers. Khamza conducted various social work, fought for the emancipation of women, exposed the actions of nationalists and reactionary clergy. Killed in the village of Shakhimardan on March 18, 1929 by an angry crowd of religious fanatics. Khamza is the founder of the literature of socialist realism in the Uzbek language. He enriched the classical poetic metrics (aruz) through the forms of folk verse (barmak). Hamza left a noticeable mark in the history of the development of socialist culture in Uzbekistan, not only as a poet and playwright, but also as a theater worker, composer and musician. His name was given to the Uzbek State Academic Drama Theater.
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June 12, 2024ما إن رأتك عيني، يا حبيبتي الفريدة
حتى وقعت في هواك، يا حبيبتي الفريدة
أرقت أنهار الدموع، ما عرفت الراحة
ولم أعد أطيق.. يا حبيبتي الفريدة
لم ترأفي بحالي.. لم يرق قلبك
لم أجن غير الصد.. يا حبيبتي الفريدة
لا ذنب لي في أنني أحببتك
تلك مشيئة الإله، يا حبيبتي الفريدة
فلترحميني من عذابي واغفري لي ذنبي
وخففي الغلواء، يا حبيبتي الفريدة
للحب سلطان، يا ساقي الخمرة
شربت كأس العشق، يا حبيبتي الفريدة
أتعرضين عني كي تثيري شجني
كي أنظم الأشعار فيك، يا حبيبتي الفريدة
حتى وقعت في هواك، يا حبيبتي الفريدة
أرقت أنهار الدموع، ما عرفت الراحة
ولم أعد أطيق.. يا حبيبتي الفريدة
لم ترأفي بحالي.. لم يرق قلبك
لم أجن غير الصد.. يا حبيبتي الفريدة
لا ذنب لي في أنني أحببتك
تلك مشيئة الإله، يا حبيبتي الفريدة
فلترحميني من عذابي واغفري لي ذنبي
وخففي الغلواء، يا حبيبتي الفريدة
للحب سلطان، يا ساقي الخمرة
شربت كأس العشق، يا حبيبتي الفريدة
أتعرضين عني كي تثيري شجني
كي أنظم الأشعار فيك، يا حبيبتي الفريدة
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