The Politics of Cultural Performance

by David J. Parkin (Editor), Lionel Caplan (Editor)

The line between what is regarded by people as "traditional" and "modern" is constantly being altered by new configurations of power. These essays examine the ways in which such changes are both communicated and created through cultural performances in diverse ethnographic settings. Examples are drawn from a wide range of forms and divinatory sequences, spirit possession rites, state ceremonials, village feasts, pilgrimages, language-use and craft specialisms. It was Abner Cohen, to whom this volume is dedicated, who first suggested that a dialectical relationship existed between power and symbolism. This concept, as developed in his seminal work, has since become a growing area of study as reflected in this important collection. By questioning some of the directions, the authors make a major interdisciplinary contribution to the study of cultural performance as a key factor in power relationships. The principal stage is Africa, but comparative ethnographic data are drawn from Ireland, Italy, South Asia, and the United Kingdom.

294 pages, Paperback

First published March 1, 1996

About the author

David Parkin is Emeritus Professor of Social Anthropology at the University of Oxford, All Souls College, having held the chair from 1996-2008. He was previously from 1964 to 1996 at the School of Oriental and African Studies, University of London. From February 2010 to October 2011 he was Visiting Professorial Fellow at the Max Planck Institute for Religious and Ethnic Diversity in Goettingen, Germany. He works in Eastern Africa among Muslims and non-Muslims on religion, healing, language, human bodily intelligence, and material culture. His books include Sacred Void (CUP 1991), Islamic prayer across the Indian Ocean (with Stephen Headley) (Curzon Press, 2000), The politics of cultural performance (with Lionel Caplan and Humphrey Fisher) (Berghahn Books, 1996) and Bush base, forest farm (with E. Croll) (Routledge 1992).