Envisioning Africa: Racism and Imperialism in Conrad's Heart of Darkness

by Peter Edgerly Firchow

For one hundred years, Heart of Darkness has been among the most widely read and taught novels in the English language. Hailed as an incisive indictment of European imperialism in Africa upon its publication in 1899, more recently it has been repeatedly denounced as racist and imperialist. Peter Firchow counters these claims, and his carefully argued response allows the charges of Conrad's alleged bias to be evaluated as objectively as possible. He begins by contrasting the meanings of race, racism, and imperialism in Conrad's day to those of our own time. Firchow then argues that Heart of Darkness is a novel rather than a sociological treatise; only in relation to its aesthetic significance can real social and intellectual-historical meaning be established.

Envisioning Africa responds in detail to negative interpretations of the novel by revealing what they distort, misconstrue, or fail to take into account. Firchow uses a framework of imagology to examine how national, ethnic, and racial images are portrayed in the text, differentiating the idea of a national stereotype from that of national character. He believes that what Conrad saw personally in Africa should not be confused with the Africa he describes in the novel; Heart of Darkness is instead an envisioning and a revisioning of Conrad's experiences in the medium of fiction.

288 pages, Paperback

First published November 4, 1999

About the author

Peter Edgerly Firchow (1937–2008) was an American literary scholar and educator. He wrote extensively on the relationship between British and German literature of the late 19th and early 20th centuries, and he was a leading scholar of the British writer Aldous Huxley. He served as a faculty member in the University of Minnesota English Department from 1967 to 2008 and as director of the university's Comparative Literature program from 1972 to 1978.