Bearing in mind that I wasn’t impressed by The Sister, Louise Jensen’s debut psychological thriller, I was heartened that The Gift proved an immense improvement with an engaging narrative, realistic dialogue and some well-defined characters. Although The Gift is both an immersive and intriguing read, despite some moments of palpable suspense I wouldn’t necessarily classify it as a thriller, and my enthusiasm for this novel stems from how seamlessly the scientific background is woven into the storyline. Louise Jensen has taken a relatively unexplored medical concept, that of Cellular Memory, a theory which supports the concept of the cells of organs being capable of storing memories as opposed to solely the brain and explored it intelligently. Given that more and more experts are supporting this hypothesis and that is has neither been conclusively proved or disproved, I was intrigued to see which direction the novel would take.
The story opens with thirty-year-old veterinary nurse, Jenna McCauley, approaching the six-month anniversary of having received a heart transplant after a severe bout of viral myocarditis. Fortuitously and unexpectedly receiving a suitable organ in time to give Jenna a lifeline she is gradually coming to terms with this ‘gift’ which has been made possible only through another family’s grief. Pushing her loyal boyfriend away, experiencing panic attacks and on a cocktail of medication and immunosuppressants, at her weekly sessions with counsellor, Vanessa, she tells of her desire to meet her donors family. Contrary to the guidelines on such matters, Jenna obtains the address of her donors family by way of a private investigator and institutes a meeting to learn more about the person whose death has given her a second chance at life. As Jenna meets twenty-four year old Callie Valentine’s family and grows closer to them she finds herself readily empathising with their anguish but increasingly drawn to the conclusion that she isn’t being given the full story surrounding Callie’s death. From a sister who has been ‘abroad’ since her death, an overly attentive fiancée to the events surrounding the night that she died, Jenna starts to suspect that Callie’s death was no tragic accident but rather a murder. As she is driven by a desire to provide answers for Callie’s parents, Tom and Amanda, and repay her donor a pattern of nightmares and a constant feeling of being watched takes Jenna near breakdown point as she pushes her own family and friends further away and puts her second chance at life in jeopardy. As Jenna contacts Callie’s fiancée, Nathan, and quickly strikes up a link to her donors past there is something a little unseemly about her underhand deceit, especially as Nathan does not initially know of this connection to his past love.
One aspect of this novel that I was hugely impressed with was Louise Jensen’s thorough research on the physical, medical and emotional toll of transplant recipients and Jenna’s counselling sessions offered up real life examples to illustrate the concept of Cellular Memory. The Gift certainly suggests some avenues for further exploration, from the extent to which this involvement with a donors family is ethically permitted to its impact from a mental health perspective. Whilst Jensen leaves the reader to draw their own conclusions and interpret Jenna’s increased paranoia as the result of possible side effects from her powerful immunosuppressants, taking on the memories of her donors organ or simply from her own heightened emotional state, I appreciated that multiple sides of the argument were broached.
I felt I had a gained a real understanding of what was driving Jenna and her increasing fixation on learning about her donor, but I was somewhat dismayed that Callie was portrayed as a little too good to be true and I never really felt much of a sense of her throughout the story. Similarly, despite the intention of Jensen to assert some air of menace about Nathan, Callie’s fiancée, he too seemed rather bland and eminently forgettable and I did not feel mounting suspense or nail-biting tension as further truths were gradually exposed. Between the chapters focusing on Jenna and her attempt to rebuild her life, italicised extracts capture the nightmares that disrupt her sleep and the triggers for her increasing paranoia, all of which are tacitly implied as being memories belonging to Callie. As glimpses of situations and fragmented memories spur Jenna onwards she begins to questions whether she can really trust her intuition or if her apprehension is simply a combination of the side-effect of her drugs and the associated guilt of having received Callie’s heart. As a lead protagonist I found myself warming to her after initially viewing her as selfish in potentially causing Callie’s family greater distress by initiating contact but as the novel progressed I found myself coming to understand her motives and the fact that it was essential to her in order to move on from the episode. In fact it was quite reassuring to find a fictional female protagonist in Jenna whose paranoia wasn’t driven by her former boyfriend, Sam, who seemed genuinely supportive!
A fast and engaging read, undoubtedly less emotive than I had expected but I would be interested in reading more fiction based around this theory. A solid novel with evidence of genuine research (medical and psychological) and a marked improvement on The Sister. Whilst I felt that the direction the novel proceeded in was signposted rather too blatantly and the upcoming twists foreshadowed well in advance, the tight narrative and forward momentum held my attention until the denouement, which disappointingly seemed to conclude rather too abruptly and neatly for my liking. Whilst The Gift never reached the heights of fevered excitement it did keep me lightly entertained and after this encounter I will consider reading more of Louise Jensen’s work.