This new critical overview of the Renaissance and Baroqueeras traces the development of art theory and its influence on style. By consideringthe stylistic transformation of particular artists - Michelangelo, AnnibaleCarracci, Guercino, Guido Reni, Poussin, and others - and the contemporary intellectualenvironments surrounding them, the nature and potency of theory can be demonstrated.Through the analysis and interpretation of previously overlooked anduntranslated texts in a variety of disciplines from art and poetic theory,natural philosophy, astronomy and many others, James Hutson investigates therelationship between theory and practice, thus providing insight into the interdisciplinaryreality of art-making and interpretation.