Heraldry

by Henry Pasten-Bedingfeld

Incorporating some stunning illustrations, many of which have never before been published, Heraldry explores the history, symbolism and artistry of the heraldic system, providing an invaluable introduction to this fascinating subject. The origins of heraldry date back to twelfth century Europe, and the authors, both of whom are Officers of Arms, draw upon their expertise to trace the history of the use of heraldry, from the pageantry of the medieval tournament to its use today by corporations and individuals worldwide. Over the centuries heraldic decoration has evolved to become a precise art., governed by its own rules and methods – even using its own language. Simple geometric shapes decorated the early shields, but later changes became increasingly intricate, displaying a veritable menagerie of fantastic beasts, birds and flora, as well as embellishments such as supporters, helms and crests. The development of the role of the heralds themselves has also reflected the changing times. Initially just recorders of coats of arms, they are now responsible for new creations and also play a vital ceremonial role on state occasions in Britain. The absorbing and authoritative text is complemented by an extensive selection of colour and black-and-white illustrations, including some specially-commissioned colour photography from the archives of the Royal College of Arm. Complete with a glossary of the major heraldic terms, Heraldry is a comprehensive and lavishly illustrated guide to this important historical subject.

160 pages, Hardcover

First published January 1, 1993

Reviews

[Michael Smith]

What makes this oversize volume different from all the other illustration-rich heraldry books on the market is its authorship: Bedingfeld is Rouge Croix Pursuivant and Gwynn-Jones is Lancaster Herald, both of them full-time practicing heralds at the College of Arms in London under the authority of the Duke of Norfolk, who is also Earl Marshal of England (and therefore responsible for grants of arms). His grace also contributes a brief foreword to the book. They’ve divided up the labor here, with Bedingfeld taking the chapters on heraldic history and development, the workings of the College, and royal heraldry, while Gwynn-Jones is responsible for the chapters on heraldry as art and also its continental aspects. Much useful information is included on English heralds of the past, some of whom were great scholars and innovators while others were only in it for the money. They also investigate the origins of various heraldic monsters, such as the basilisk (based, they believe, on the hooded cobra). There are a great many illustrations taken from grants and rolls in the College’s archives, most of which I’ve never seen reproduced before.