Closely following the everlasting mercy came the widow IN the bye street, written in much the same icono clastic manner. It tells a tragic tale of Widow Gurney, whose son, Jimmy, is hanged for murder, causing her to lose her reason. Of these two remarkable poems Masefield tells us: In the everlasting mercy a violent man is made happy; in the widow IN the bye street a good woman is made unhappy. In neither case does the event fall by merit or demerit, but by the workings Of Fate, which come into human affairs with the effect Of justice done, for reasons not apparent to us.
In 1913 he again aroused the enthusiasm and acclaim Of the critics. This time with dauber that magnificent spiritual vision Of life. 'dauber' is a great poem. Great because Of its pictures Of the storm, the sea-night, the Ship entering the calm bay at day-dawn. But great also as a book of revelation; as a book Of intense, terrible, pitiful heroic vision; as a sensitive record of the sea, full Of the bright face of danger, the enduranceof Ships, the endurance of men. The poem tells Of a painter whose heart's desire is to portray the sea as it really is.
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Masefield was born in Ledbury, a rural area in England to George Masefield, a solicitor and Caroline. His mother died giving birth to his sister when Masefield was only 6 and he went to live with his aunt. His father died soon after. After an unhappy education at the King's School in Warwick (now known as Warwick School), where he was a boarder between 1888 and 1891, he left to board the HMS Conway, both to train for a life at sea, and to break his addiction to reading, of which his Aunt thought little. He spent several years aboard this ship and found that he could spend much of his time reading and writing. It was aboard the Conway that Masefield’s love for story-telling grew.
In 1894, Masefield boarded the Gilcruix, destined for Chile. He recorded his experiences while sailing through the extreme weather. Upon reaching Chile, Masefield suffered from sunstroke and was hospitalized. He eventually returned home to England as a passenger aboard a steam ship.
In 1895, Masefield returned to sea on a windjammer destined for New York City. However, the urge to become a writer and the hopelessness of life as a sailor overtook him, and in New York, he deserted ship. He lived as a vagrant for several months, before returning to New York City, where he was able to find work as an assistant to a bar keeper.
For the next two years, Masefield was employed in a carpet factory, where long hours were expected and conditions were far from ideal. He purchased up to 20 books a week, and devoured both modern and classical literature. His interests at this time were diverse and his reading included works by Trilby, Dumas, Thomas Browne, Hazlitt, Dickens, Kipling, and R. L. Stevenson. Chaucer also became very important to him during this time, as well as poetry by Keats and Shelley.
When Masefield was 23, he met his future wife, Constance Crommelin, who was 35. Educated in classics and English Literature, and a mathematics teacher, Constance was a perfect match for Masefield despite the difference in age. The couple had two children (Judith, born in 1904, and Lewis, in 1910).
In 1930, due to the death of Robert Bridges, a new Poet Laureate was needed. King George V appointed Masefield, who remained in office until his death in 1967. Masefield took his appointment seriously and produced a large quantity of verse. Poems composed in his official capacity were sent to The Times. Masefield’s humility was shown by his inclusion of a stamped envelope with each submission so that his composition could be returned if it were found unacceptable for publication.
On 12 May 1967, John Masefield died, after having suffered through a spread of gangrene up his leg. According to his wishes, he was cremated and his ashes placed in Poets’ Corner in Westminster Abbey. Later, the following verse was discovered, written by Masefield, addressed to his ‘Heirs, Administrators, and Assigns’:
Let no religious rite be done or read In any place for me when I am dead, But burn my body into ash, and scatter The ash in secret into running water, Or on the windy down, and let none see; And then thank God that there’s an end of me.