Playing the Ghost of Maimonides

by John Agard

John Agard has been broadening the canvas of British poetry for the past 35 years with his mischievous, satirical fables which overturn all our expectations. In this new collection, he puts on the mask of Moses Maimonides (aka the Rambam), the medieval Jewish rabbi and physician who wrote his Guide of the Perplexed in Arabic at a time when Judaism, Islam and Christianity cross-fertilised each other in Moorish Spain.

Now the ghost of Maimonides returns to the contemporary world, no less perplexed, and trailed by the figure of the Jester, whose wise fool musings shadow Maimonides' discourses on a range of subjects from sectarian fanaticism to God's incorporeal lack of taste buds. In Playing the Ghost of Maimonides, the rabbinical, the parabolical, the nonsensical, are symphonically interwoven in a thought-provoking romp of metaphysical shapeshifting that resonates with the current climate of extremism.

62 pages, Paperback

First published January 1, 2016

About the author

John Agard was born in Guyana and emigrated to Britain in 1977. He has worked as an actor and a performer with a jazz group and spent several years as a lecturer for the Commonwealth Institute, travelling all over Britain giving talks, performances and workshops. He has visited literally thousands of schools and enjoys the live contact and the joy of children responding although it can be hard work.

John Agard started writing poems when he was about 16 - some of these early efforts were published in his school magazine. Many of his poems now are composed while looking out of train windows.

"Try the best with what you have right now
If you don't have horse, then ride cow."

It is in his poetry that John Agard makes his greatest contribution to children's literature. Like the best authors, he brings something unique to children's experience - a view of the world tempered by his own childhood, a feeling for the rhythms and cadences of its language, and a sophisticated understanding of the advantages and limitations of several forms of English. That he can make the "standard" forms work superbly is evident from many of his poems for adults. For children, with whom he communicates more directly, the lyrical Guyanese forms serve his purposes to perfection.

Agard is not a literary poet but also a performing poet and has a strong sense of his audience. When he writes for children, he seems to see them sitting at his feet. He is more interested in the ideas and words he is delivering to them than in the creation of complex fictional characters with whom his readers might engage. He lives in Sussex and is married to Grace Nichols, a respected Caribbean poet and co-author of a collection of Caribbean nursery rhymes, NO HICKORY, NO DICKORY, NO DOCK.