The Collected Essays and Criticism, Volume 1: Perceptions and Judgments, 1939-1944

by Clement Greenberg, John O'Brian (Editor)

Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States.

Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.

Genres: Art, Philosophy, Criticism, Art History, Essays

296 pages, Paperback

First published February 15, 1988

About the author

American essayist, known mainly as an influential visual art critic closely associated with American Modern art of the mid-20th century.

Reviews

[Emília]

não posso avaliar faltei a aula

[Peter · Rating 2 out of 5]

Had I not been obsessed with Abstract Expressionism I don't think I could have made it through any of this book. Greenburg is pompous and pretentious (naturally) and it comes through, but he also managed to not only legitimize, but elevate one of the most important art movements of the 20th century.

[Barry · Rating 5 out of 5]

For my response to Greenberg, see http://www.thenation.com/doc/20061016/schwabsky