This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
John Claude Nattes (c.1765 - 1839) was a watercolourist and topographical draughtsman of either French or English origin.
In 1789 Sir Joseph Banks commissioned him to record the buildings of Lincolnshire and this resulted in more than 700 drawings and watercolours, made between 1789 and 1797, which are now preserved in Lincoln Central Library. This body of work provides researchers with a great deal of material with which to study pre-Victorian topography.
Nattes produced some of the earliest examples of watercolour painting in Britain. He was associated with the founding of the Society of Painters in Watercolours, founded in 1804, but he was expelled after two years for exhibiting other peoples’ work as his own. He continued to exhibit at the Royal Academy until 1814.