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At Leisure
‘I really have a secret satisfaction in being considered rather mad.’The name of William Heath Robinson has entered the national vocabulary as a by-word for eccentric inventions and makeshift solutions – and with good reason. His world of cogs, bits of string, magnets and precarious tipping points holds a universal appeal.In this classic collection, Heath Robinson leads a life of leisure, taking a look at some of our favourite pastimes. Seaside holidays, dinner parties with the neighbours and dancing classes are all reimagined and given the Heath Robinson touch in a bid to make them just that little bit easier – whether they needed it or not.
96 pages, Paperback
Published May 15, 2015
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About the author
W. Heath Robinson
161 books18 followersWilliam Heath Robinson (31 May 1872 - 13 September 1944) was an English cartoonist and illustrator best known for drawings of ridiculously complicated machines for achieving simple objectives.
His brothers, Thomas Heath Robinson and Charles Robinson were also artists.
In the U.K., the term "Heath Robinson" entered the language during the 1914–1918 First World War as a description of any unnecessarily complex and implausible contrivance, much as "Rube Goldberg machines" came to be used in the U.S. from the 1930s onwards as a term for similar efforts. "Heath Robinson contraption" is perhaps more often used in relation to temporary fixes using ingenuity and whatever is to hand, often string and tape, or unlikely cannibalisations. Its continuing popularity was undoubtedly linked to Second World War Britain's shortages and the need to "make do and mend".
His brothers, Thomas Heath Robinson and Charles Robinson were also artists.
In the U.K., the term "Heath Robinson" entered the language during the 1914–1918 First World War as a description of any unnecessarily complex and implausible contrivance, much as "Rube Goldberg machines" came to be used in the U.S. from the 1930s onwards as a term for similar efforts. "Heath Robinson contraption" is perhaps more often used in relation to temporary fixes using ingenuity and whatever is to hand, often string and tape, or unlikely cannibalisations. Its continuing popularity was undoubtedly linked to Second World War Britain's shortages and the need to "make do and mend".
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