This vibrant and moving book investigates the mystery of our human nature, illuminating how Shakespeare's characters may be seen as expressions of what is deepest in us. Philip Newell introduces us to 'archetypes of the soul,' such as the king and queen (seen for example in King Lear and Lady Macbeth); the lover and the friend (Juliet and Sir John Falstaff); the judge and the warrior (Shylock and King Henry IV); the seer and the mage (Hamlet and Pericles); and the fool and the contemplative (Bottom and King Richard II). The author's hope is that as we glimpse the depths of human nature through Shakespeare's eyes―take part in the journaling exercises included―we will become aware of a healing flow between our unconscious depths and conscious mind, enabling us to reconnect to what is truest in us and in all people. †
JOHN PHILIP NEWELL is an internationally acclaimed spiritual teacher and popular speaker and the widely read author of several books, including Listening for the Heartbeat of God and A New Harmony. The former Warden of Iona Abbey in the Western Isles of Scotland, he is the founder of The School of Earth and Soul (A Celtic Initiative of Study, Spiritual Practice and Compassionate Action) and teaches regularly in California, New England, Virginia, Colorado, New Mexico, and Canada as well as leading international pilgrimages to Iona.
Excellent book that really makes you think about who you are, as well as pointing out the depth of Shakespeare's understanding of human nature. Highly recommended.
What a serendipitous discovery! This book is not just a discussion of Shakespeare. It lays bare the deep human wisdom that's hidden within Shakespeare. It's a restorative, soulful, healing read. Every page is overflowing with jewels of insight. Along with H.C. Goddard's two-volume set, this book is easily one of my favorite works of Shakespearean criticism. I marvel at the author's comprehensive knowledge of the plays and his ability to move back and forth between them. I marvel at how short the book is in comparison with the rich depth and density of human understanding that the book provides. Using the archetypes in the book, I will never be able to look at a Shakespearean play--or any other work of literature--the same way again.
One thing the book lacked is a bibliography. I believe the author was influenced by Robert Moore's "King, Warrior, Magician, Lover" because of the similar archetypes discussed. I would have liked to know his other sources as suggestions for further reading and study.
But that's a minor complaint. This is a wonderful treasure of a book. The kind of book that makes reading worthwhile.