Gender roles have been tested, challenged, and redefined everywhere during the past thirty years, but perhaps nowhere more dramatically than in film. Screening Genders is a lively and engaging introduction to the evolving representations of masculinity, femininity, and places once thought to be "in between."
The book begins with a general introduction that traces the movement of gender theory from the margins of film studies to its center. The ten essays that follow address a range of topics, including screen stars; depictions of gay, straight, queer, and transgender subjects; and the relationship between gender and genre. Widely respected scholars, including Robert T. Eberwein, Lucy Fischer, Chris Holmlund, E. Ann Kaplan, Kathleen Rowe Karlyn, David Lugowski, Patricia Mellencamp, Jerry Mosher, Jacqueline Reich, and Chris Straayer, focus on the radical ideological advances of contemporary cinema, as well as on those groundbreaking films that have shaped our ideas about masculinity and femininity, not only in movies but in American culture at large.
The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike.
Krin Gabbard is a “come-back” trumpet-player even though he spends most of his time writing books and teaching classes about movies. In recent years, most of his writing has been about jazz. He was born in 1948 in Charleston, a small town in East Central Illinois. He spent the first eighteen years of his life in Charleston, the home of Eastern Illinois University, where both his parents taught. At the University of Chicago, Krin was not skilled enough to play trumpet with the Art Ensemble of Chicago (which actually held auditions at the university), and the local rock bands had no need for trumpets. Mostly he read old books and acted in a few plays. After graduating with a B.A. from Chicago in 1970, Krin went to Indiana University where he took graduate degrees in Classics and Comparative Literature. He also hosted a weekly radio program devoted to the music of Duke Ellington. In 1973, he met and fell in love with Paula Beversdorf. They have been married ever since.
In 1981, he began teaching in the Comparative Literature Department at the State University of New York in Stony Brook. Krin has taught many different courses at Stony Brook, everything from ancient Greek literature to a seminar on Miles Davis. Mostly, however, he has taught cinema studies. His first three books grew out of his interest in film.
As a child, Krin played the cornet in the school band, but he gave it up in college. Thirty-seven years later he bought a new trumpet and began taking lessons. His most recent book, Hotter Than That: The Trumpet, Jazz, and American Culture (2008), describes his new life as an amateur trumpet-player. The book also gives a history of the trumpet from ancient Egypt to the present, with special attention to the African American jazz artists who transformed the instrument in the twentieth century.
Krin and Paula live on the Upper West Side of New York City and occasionally find time to go to a movie or a jazz club.