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An Ontology of Art

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Rejecting Goodman's distinction between autographic and allographic arts, and the dualistic ontology based upon it, the author attempts to construct a unified theory of the exemplification of art works. The book will be of interest to philosophers, aestheticians, and historians of art.

160 pages, Hardcover

First published January 1, 1989

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About the author

Gregory Currie

26 books6 followers
Gregory Currie is Professor of Philosophy in the Department of Philosophy at the University of York.

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