Mary Magdalene and the Virgin Mary continue to intrigue and fascinate us to this day. Their appearances in the Bible are brief, piquing our curiosity and compelling speculation about the unknown years of their lives. This volume contains modern translations of plays performed during the late Middle Ages in England about the lives of the Virgin Mary and Mary Magdalene. These plays provide a link between canonical Scripture, apocryphal and gnostic materials from the first centuries of Christianity that survived secreted or in oral tradition, legendary materials that developed over the ensuing centuries, and contemporary medieval religious belief and practices. Materials from the N-Town Mary and other plays contain episodes about the childhood of the Virgin, her betrothal and marriage to Joseph, and her time after the death of Christ. The Digby Mary Magdalene begins with an account of the death of Mary Magdalene’s father, her subsequent fall into promiscuity, her redemption, her journey to convert Marseille and thus christianize France, her later years as a hermit and her death. These plays illustrate one way in which Biblical materials were available to lay people before the printing of the Bible. Reading these plays of the Virgin Mary and Mary Magdalene from the late Middle Ages increases our understanding of the history of the Marian and Magdalene traditions practiced in earlier centuries, as well as our understanding of what these women have come to represent today, shedding light on how their images have shaped the roles for women in the Church.
These are two fascinating glimpses into the way medieval people viewed and interacted with their religious texts and stories. Two collections of plays written and performed by the laity, N-Town Mary and the Digby Mary Magdalene tell the stories of Mary the mother of Jesus and Mary Magdalene, respectively. Since these plays were performed yearly and outside the walls of the church, they reflect the beliefs of the common people around the two Marys at a time when the Bible wasn't available in vernacular English and 95% of the population couldn't read. As such, they represent the oral storytelling/folklore tradition of Catholics. A beautiful look into the imagination of the Middle Ages and the relationship Catholics at this time had with biblical storytelling and extrabiblical folklore