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Narratives Of Sorcery And Magic, From The Most Authentic Sources

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

438 pages, Hardcover

First published January 1, 1852

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About the author

Thomas Wright

1,154 books17 followers
Thomas Wright was an English antiquarian and writer. Wright was born near Ludlow, Shropshire, descended from a Quaker family formerly living at Bradford. He was educated at Ludlow Grammar School and at Trinity College, Cambridge, whence he graduated in 1834.

While at Cambridge he contributed to the Gentleman's Magazine and other periodicals, and in 1835 he came to London to devote himself to a literary career.

His first separate work was Early English Poetry in Black Letter, with Prefaces and Notes (1836, 4 vols. 12mo), which was followed during the next forty years by an extensive series of publications, many of lasting value. He helped to found the British Archaeological Association and the Percy, Camden and Shakespeare Societies. In 1842 he was elected corresponding member of the Académie des Inscriptions et Belles Lettres of Paris, and was a fellow of the Society of Antiquaries as well as member of many other learned British and foreign bodies.

In 1859 he superintended the excavations of the Roman town of Viroconium Cornoviorum (Wroxeter), near Shrewsbury, and issued a report.

A portrait of him is in the Drawing Room Portrait Gallery for 1 October 1859.

He was a great scholar, but will be chiefly remembered as an industrious antiquary and the editor of many relics of the Middle Ages.

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