In the passionate poetry of a bride to her bridegroom, this thirteenth-century German mystic recorded thirty years of her most intimate conversations with God. The selections in this edition offer a powerful glimpse into Mechthild's vision of God and her constant longing to be in his heart. This eloquent female ascetic recounts her mystical union with God in an unusual combination of literary genres ranging from rich allegory to lyrical poetry and prose. At age twenty, Mechthild left her home to begin a life of intense prayer as a beguine under the direction of the Dominicans. Continually speaking out against abuses in the Church, Mechthild incurred a lifelong conflict with the religious authorities of her time, making the survival of her writings all the more remarkable.
Mechthild (or Mechtild) of Magdeburg (c. 1207 – c. 1282/1294), a Beguine, was a medieval mystic, whose book Das fließende Licht der Gottheit (The Flowing Light of Divinity) described her visions of God.
Definite biographical information about Mechthild is scarce; what is known of her life comes largely from scattered hints in her work. She was probably born to a noble Saxon family, and claimed to have had her first vision of the Holy Spirit at the age of twelve. In 1230 she left her home to become a Beguine at Magdeburg. There, like Hadewijch of Antwerp, she seems to have exercised a position of authority in a beguine community. In Magdeburg she became acquainted with the Dominicans and became a Dominican tertiary. It seems clear that she read many of the Dominican writers. It was her Dominican confessor, Henry of Halle, who encouraged and helped Mechthild to compose The Flowing Light.
Her criticism of church dignitaries, religious laxity and claims to theological insight aroused so much opposition that some called for the burning of her writings. With advancing age, she was not only alone, and the object of much criticism but she also became blind. Around 1272, she joined the Cistercian nunnery at Helfta, who offered her protection and support in the final years of her life, and where she finished writing down the contents of the many divine revelations she claimed to have experienced. According to Professor Kate Lindemann, it speaks much of this community and its Abbess, that they would embrace a woman who was over 60 years of age, in poor health and so isolated by society. It is unclear whether she actually formally joined the Cistercian community or if she simply resided there and participated in the religious services but did not take Cistercian vows. The nuns of Helfta were highly educated and important works of mysticism survive from Mechthild’s younger contemporaries, St. Mechthild of Hackeborn and St. Gertrude the Great.
It is unclear when Mechthild died. 1282 is a commonly cited date, but some scholars believe she lived into the 1290s.
The passionate poetry of a bride to her bridegroom. Certainly some beautiful writings, but it's fairly repetitive. It contrasts with St Thomas Aquinas, who was a contemporary, by being more about feelings and emotions than reason. Despite being a saint, her works aren't doctrine, if you catch my drift, and some of her remarks are dubious, or wrong.
The 'mildly modernised' edition hasn't worked as it makes it even harder to read.
Soul: If I had turned to God, might I have risen very high?
Love: What use is it to put beautiful clothes on a sleeping person, or to place fine food in front of her? She will not want to eat the food. Beloved, let me wake you up.