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How Beautiful Are Thy Feet
A compassionate story of workers in a shoe factory during the Depression
'A thousand pairs a day...' - this is the rhythm ruling the lives of workers in a Melbourne shoe factory in the 1930s, a rhythm devouring their youth, their laughter, their hopes for the future.
For those enmeshed in the life of the Modern Shoe Co. - the crippled accountant, the vindictive foreman, the inept management unable to stem the slide to financial disaster, the kind-hearted forewoman and the pathetically young girls in their first job - there is also a rhythm of love and camaraderie, of intrigue and hate, of exploitation and grinding poverty.
'A thousand pairs a day...' - this is the rhythm ruling the lives of workers in a Melbourne shoe factory in the 1930s, a rhythm devouring their youth, their laughter, their hopes for the future.
For those enmeshed in the life of the Modern Shoe Co. - the crippled accountant, the vindictive foreman, the inept management unable to stem the slide to financial disaster, the kind-hearted forewoman and the pathetically young girls in their first job - there is also a rhythm of love and camaraderie, of intrigue and hate, of exploitation and grinding poverty.
272 pages, Hardcover
First published January 1, 1949
About the author
Alan Marshall
337 books14 followersLibrarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information.
(1) Alan^Marshall
Alan Marshall (2 May 1902, Noorat, Victoria — 21 January 1984, Melbourne) was an Australian writer, story teller and social documenter.
His best known book, I Can Jump Puddles (1955) is the first of a three-part autobiography. The other two books are This is the Grass (1962) and In Mine Own Heart (1963).
Alan Marshall wrote numerous short stories, mainly set in the bush. He also wrote newspaper columns and magazine articles. He travelled widely in Australia and overseas. He also collected and published Indigenous Australian stories and legends.
(1) Alan^Marshall
Alan Marshall (2 May 1902, Noorat, Victoria — 21 January 1984, Melbourne) was an Australian writer, story teller and social documenter.
His best known book, I Can Jump Puddles (1955) is the first of a three-part autobiography. The other two books are This is the Grass (1962) and In Mine Own Heart (1963).
Alan Marshall wrote numerous short stories, mainly set in the bush. He also wrote newspaper columns and magazine articles. He travelled widely in Australia and overseas. He also collected and published Indigenous Australian stories and legends.
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Displaying 1 - 2 of 2 reviews
June 12, 2023
Alan Marshall was the author of the book I Can Jump Puddles (1955) — which everyone my age knew about because we all read it at school. We read it because it was an inspirational memoir of a boy from the bush who was crippled by polio and transcended his disabilities, learning to ride and swim and rampage about in the bush with his mates. The father may just have been being polite, but I was still pleased when he said he would try to find a copy and read it. (You can read a review of I Can Jump Puddles here.)
Everyone my age knew children and adults who had disabilities from polio, a disease now almost eradicated by the vaccination which became available in the 1950s. Alan Marshall AM (1902-1984) was one of many who had no alternative but to make the best of things at a time when services for the disabled were rudimentary. As a teenager he won a scholarship to study in Melbourne and he eventually began work as an accountant and married and had a family. He went on to make a career as a journalist, and as a writer of short stories, memoir and a novel. He received the ALS Short Story Award three times, the first in 1933, but his politics were radical and according to the Australian Dictionary of Biography (ADB) many of his contributions to left-wing journals went unpaid.
When Marshall published How Beautiful Are Thy Feet in 1949, it was a story set within living memory of his adult readers, and it's consistent with what the ADB says about his interest in depicting lives blighted by prevailing economic conditions. Drawing on his experience as an accountant at the Trueform Boot and Shoe Company in inner-urban Melbourne, and written in the social realist style of the 1940s and 1950s, it's the story of workers in a failing shoe factory during the Depression.
McCormack, whose crutches are mentioned almost as an afterthought, is mostly referred to as The Accountant, as if to emphasise that he is an observant outsider. He's not a factory worker, he's not in sales, and he's not in management. But he is privy to the financial disaster that is looming, and without breaking the confidentiality of his position, he enables some of the workers to get out with good references before the axe falls. It is not until the end of the novel that he makes a significant intervention which saves three shareholder houses that formed security for the factory from the bank. (I think what he did would be illegal today, (as was continuing to trade when management knew the business was insolvent) but Marshall's sympathies were obviously not with the bank!)
How Beautiful Are Thy Feet vividly depicts working conditions that would not be tolerated today,
To read the rest of my review please visit https://anzlitlovers.com/2023/06/12/h...
Everyone my age knew children and adults who had disabilities from polio, a disease now almost eradicated by the vaccination which became available in the 1950s. Alan Marshall AM (1902-1984) was one of many who had no alternative but to make the best of things at a time when services for the disabled were rudimentary. As a teenager he won a scholarship to study in Melbourne and he eventually began work as an accountant and married and had a family. He went on to make a career as a journalist, and as a writer of short stories, memoir and a novel. He received the ALS Short Story Award three times, the first in 1933, but his politics were radical and according to the Australian Dictionary of Biography (ADB) many of his contributions to left-wing journals went unpaid.
When Marshall published How Beautiful Are Thy Feet in 1949, it was a story set within living memory of his adult readers, and it's consistent with what the ADB says about his interest in depicting lives blighted by prevailing economic conditions. Drawing on his experience as an accountant at the Trueform Boot and Shoe Company in inner-urban Melbourne, and written in the social realist style of the 1940s and 1950s, it's the story of workers in a failing shoe factory during the Depression.
McCormack, whose crutches are mentioned almost as an afterthought, is mostly referred to as The Accountant, as if to emphasise that he is an observant outsider. He's not a factory worker, he's not in sales, and he's not in management. But he is privy to the financial disaster that is looming, and without breaking the confidentiality of his position, he enables some of the workers to get out with good references before the axe falls. It is not until the end of the novel that he makes a significant intervention which saves three shareholder houses that formed security for the factory from the bank. (I think what he did would be illegal today, (as was continuing to trade when management knew the business was insolvent) but Marshall's sympathies were obviously not with the bank!)
How Beautiful Are Thy Feet vividly depicts working conditions that would not be tolerated today,
The dust from the Naumkeg machine had given Tom Seddon a cough. The blowing system of the Modern Shoe Company was not efficient. It only drew away part of the dust. The remainder floated around his machine.
An inflated pad covered with emery paper revolved at terrific speed before him. He held the sole of a shoe against it. It grated and vibrated. The accountant passed. Tom looked up quickly and called out 'Hey!' He concentrated on his shoe again.
The accountant stopped and watched him. The operation raised a fine nap on the sole so that the paint put on in the finishing room would penetrate the surface. This enabled the finisher to bring up the sole smooth and glossy.
A large galvanised iron funnel gaped over the spinning pad. Emery and leather dust flew from the shoe and was sucked into the blower's mouth. A dull roar came from the cavity. Behind it was a large tube stretched like a snake along the wall, and out into a collector standing in the yard.
Dust that escaped the uprush of air floated around Tom's head. His hair was sprinkled with dust. It clung to the edges of his nostrils and to his lips. (p.66)
To read the rest of my review please visit https://anzlitlovers.com/2023/06/12/h...
November 16, 2025
Picked up because whispering in the wind is a favourite book of mine. Nothing like that book, was not expecting the bleak portrayal of consumerism, capitalism and the mundane wearing of factory life. His depiction of the treatment of women during the 40s-50s was also brutal and probably ahead of its time. Written in the late 30s
Displaying 1 - 2 of 2 reviews